For me if I had to pick a good contender it would be the UK version of The Office.

I know many tend to debate how Ricky Gervais really fell off and how he repugnantly acts like a whiny centrist edgelord but me personally IMO I actually don't think he was ever funny not even a little.

His big break through television was just so painful to sit through it's so charismatically boring the characters are completely generic at best (notably Tim) or straight up insufferably unlikable at worst (especially the protagonist David FUCKING Brent) and most importantly the humour is just embarrassing.

Always seemed like The Thick Of It but without the nuisance tongue in cheek and charming satire.

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[–] 76 points 4 months ago (1 child)

My aunt Gisela promised to bring me into touch with my father. In reality, she simply darkened the room and, with a lowered voice, gave a bad imitation of my deceased dad. That’s one medium I could do without.

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  • [–] 33 points 4 months ago (12 children)

    Dave Matthews band. Also, any "jam" band in general.

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  • [–] 6 points 4 months ago (3 children)

    100% with you on this.

    I just don't get the appeal at all. I knew a couple that were all about String Cheese Incident. Finally listened to their stuff...fucking 15 minute long songs of fairly standard 90's ironic music zapped by bloat ray. Hard pass.

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  • [–] 6 points 4 months ago (1 child)

    I've seen String Cheese Incident live a few times at a festival. It was honestly a pretty good show, and I think that's pretty much the only way jam bands work. When everyone's a bit high and dancing and the band is playing off the crowd, it's great.

    I listened to a couple of their tracks at home, and had no interest in listening to any more. Jam bands are only good live.

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  • [–] 9 points 4 months ago (5 children)

    Dont forget what they did on the Kinzie Street Bridge in Chicago.

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  • [–] 74 points 4 months ago (21 children)

    The James Cameron Avatar movies.

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  • [–] 10 points 4 months ago (1 child)

    Great example of; just because it was a technical masterpiece, that doesn't make a movie good. The special effects were outstanding for the time, and still hold up very well. That is something I will always praise it for, but it is the only thing worth praising about it. It really is a very polished turd, in that sense.

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  • [–] 26 points 4 months ago (3 children)

    They’re so bad.

    …well the first one was. Didn’t bother with any after that…

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  • [–] 8 points 4 months ago

    I thought the wecond one was way better and more intereating than the first one. It even made me genuinely sad at one point. I watched like 15 or 20min of the third one and found unwatchable. I'm not saying you should watch the second one, because it's a masterpiece or something, but i thought that if they keep that pace, maybe the third one will be good are something. It's still a technical marvel, at least the first one at the time and the second one for the insane water scenes and water physics and time and effot that went into it. The third one looks a lot more like a greenscreen movie.

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  • [–] 1 point 4 months ago (1 child)

    The first 2 are pretty much the same plot so you're not missing much. Not sure about the 3rd one not interested in it.

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  • [–] 14 points 4 months ago (11 children)

    Utter snoozefest I didn't get the hype at all

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  • [–] 10 points 4 months ago (5 children)

    When did you watch it? When it came out, it was technically impressive for the computer-generated graphics, which included a lot of highly-detailed and expansive "organic" stuff like forests.

    Here's some quotes from the Roger Ebert review from the time:

    https://www.rogerebert.com/reviews/avatar-2009

    Like “Star Wars” and “LOTR,” “Avatar” employs a new generation of special effects. Cameron said it would, and many doubted him. It does. Pandora is very largely CGI. The Na’vi are embodied through motion capture techniques, convincingly. They look like specific, persuasive individuals, yet sidestep the eerie Uncanny Valley effect. And Cameron and his artists succeed at the difficult challenge of making Neytiri a blue-skinned giantess with golden eyes and a long, supple tail, and yet–I’ll be damned. Sexy.

    Cameron promised he’d unveil the next generation of 3-D in “Avatar.” I’m a notorious skeptic about this process, a needless distraction from the perfect realism of movies in 2-D. Cameron’s iteration is the best I’ve seen — and more importantly, one of the most carefully-employed. The film never uses 3-D simply because it has it, and doesn’t promiscuously violate the fourth wall.

    I mean, I remember being underwhelmed after I went to watch Avatar with a friend who was deeply impressed, but it did show off a lot of render capability for the time. I'd call it more impressive as a tech demo.

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  • [–] 7 points 4 months ago (2 children)

    It’s way beyond a tech demo. Each Avatar movie invented dozens of new techniques. They actually film using cameras. They do a CGI movie with cameras, filming real actors acting. And they become huge blue aliens, while being filmed on a camera. It’s truly insane. I don’t like the movies themselves, but the BTS for them is crazy.

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  • [–] 3 points 4 months ago (1 child)

    And that sort of thing totally DOES permeate throughout the industry. Whenever Pixar or Weta(RIP?) or Cameron or DreamWorks or whoever invent something REALLY COOL. . .

    . . .At some point we eventually get it in Blender, and I think that's neat.

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  • [–] 2 points 4 months ago

    I’m pretty sure that’s Cameron’s goal. He saw the direction movies were going and wanted to guarantee a niche for artists will keep existing within it 🤷‍♂️

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  • [–] 16 points 4 months ago (2 children)

    I lost all respect for the movie and the entire franchise after hearing "unobtainium" as the name of the super rare space mineral. Nearly walked out of the theater.

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  • [–] 4 points 4 months ago* (1 child)

    I can't remember if they ever refer to it as anything else in that movie but I actually appreciated this scene in the first movie for two reasons:

    Info dumps irritate me in sci fi. He's like the main guy in charge talking to one of his lead scientists. They both absolutely fucking know why they're there. They know what it's called and what it's for. He's spelling it out for our benefit without breaking in-world character. If, in-world, someone started pedantically outlining what the rocks were for to their lead scientists, it would be the equivalent of calling them an idiot. Calling it "unobtainium" is like saying "we've had this argument before, I remember everything you said last time, you know everything I'm about to tell you, and nothing you or I do will change what's happening because you cant get it anywhere else and oh yeah it's worth a fuck load of money".

    I can't remember if they later retcon that into being the actual name, but in that moment, it didn't sound like the actual name, it sounded like slang being used informally during a semi heated discussion.

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  • [–] 4 points 4 months ago* (last edited 4 months ago)

    Whether or not that was the original intent I LOVE this interpretation. I like to be entertained and err on the side of "Maybe this is a deliberate choice these very smart and passionate people made to smooth out a story."

    Sometimes I feel like people get mad that they aren't just dropped into a completely fleshed out imaginary world.

    It's entertainment delivered to them as they relax in a chair, requiring zero effort on their part, and they make it a goal to nitpick whatever reminds them this slice of imagination was designed by humans, and isn't actually a fully functional parallel universe they can literally isekai into to escape the mundanity of modern existence.

    Critic culture is overrated, and I wish people would exercise their suspension of disbelief, basically. Hahaha

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  • [–] 6 points 4 months ago

    The plot sucks and the characters are forgettable, but that's not the point. The point is the graphics, the locations, the crazy wildlife and eywa. The neural queues and the floating islands. Its a masterclass in world building, and has been an endless source of inspiration.

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  • [–] 72 points 4 months ago (1 child)
  • [–] 20 points 4 months ago (3 children)

    Harry Potter, even ignoring how much of a piece of shit the author is the books just aren't particularly well thought out.

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  • [–] 40 points 4 months ago* (2 children)

    Disturbed's cover of "Sound of Silence." I like the original Simon & Garfunkel, or at least the more upbeat version of it. And I like Disturbed (see below). But this cover absolutely blows.

    Yes, I know the lead singer is a grade A shitbag. I liked the band long before I knew anything about any of it and have since stopped listening to them.

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  • [–] 37 points 4 months ago (6 children)
  • [–] 20 points 4 months ago (1 child)

    The worst part is how it's fans seem to think it's a love letter to "nerd culture" (whatever the fuck that is) and endlessly bring it up if you dare mention any interest in comics, roleplaying games or anything in that vein. "Oh you'll love this show, it's all about that nerdy stuff."

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  • [–] 8 points 4 months ago

    Was out with a girlfriend's family and one of her mom's friends once and my girlfriend mentioned she had been playing D&D with a group of people from her college. Her mom's friend immediately started cackling and was like "It's just like the big bang theory!". No other context about what happened in her games or who she was playing with or anything. Just the simple fact that she was playing it at all was apparently hilarious.

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  • [–] 18 points 4 months ago
    [–] 18 points 4 months ago

    I'm just here to see if anyone has any wrong opinions about something I love.

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  • [–] 16 points 4 months ago (2 children)

    This is going to be a semi-spicy take, but World of Warcraft.

    I had a lot of friends who were into it during Cataclysm but I had a hard time getting into it despite it being THE game everyone was obsessing over. It got to the point where I was struggling to get them to play anything else and it pretty much split our gaming group.

    Even after all these years, some of them still play it and its still a big piece of their gaming sessions.

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  • [–] 2 points 4 months ago (1 child)

    It has some hooks that I can see people liking, but it is pretty understood that the game isn't for everyone.

    I can a dumbed down version of it being played a lot in retirement homes.

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  • [–] 87 points 4 months ago* (last edited 4 months ago) (7 children)

    A big part of why many of the things in this thread haven't aged well, is because a lot of what made these shows original and unique was copied to death following the fame of the original.

    If you weren't there for the original release of a piece of media, there's a good chance you're not necessarily seeing it in the context where the accolades make sense.

    Seinfeld basically invented the 3 camera sitcom and a lot of the key tropes in the format. If you go back today having not watched it before, the vast majority of it just comes across as a boring sitcom, because every sitcom to follow took notes from the way they did Seinfeld.

    It's the same with the UK office, it basically invented the modern mockumentary format as well as the cringe comedy era that followed (and gave us things like peep show). If you look back now without that context, it just looks like a generic combination of both those things.

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  • [–] 49 points 4 months ago

    I believe "I Love Lucy" is credited with inventing or popularizing the three camera sitcom. Not to dampen's "Seinfeld"s contributions or the point of your comment, but I just wanted to add that small correction.

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  • [–] 20 points 4 months ago* (2 children)

    Just to mention it, this is literally named the Seinfeld is Unfunny effect on TVTropes

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  • [–] 3 points 4 months ago (1 child)

    I think the bigger issue is that most of the show isn't that good. Less than half the seasons are good, and the lows from the bad seasons are really low. Watching it on a streaming scenario exposes this a lot more than reruns of the good parts.

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  • [–] 2 points 4 months ago

    I actually still enjoyed it for the most part last time I went through. Jerry's standup is terrible and I have no clue how he ever got an audience, but the actual show I enjoyed most of, even if nowadays pretty much all the plots would be solved because everyone would have a cell phone.

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  • [–] 13 points 4 months ago (6 children)

    I have seen so much praise for Kingdom of Heaven and all I did was laugh or yell at it, usually both. It's so bad. So, so bad.

    I'm sorry, you're telling me they built siege towers in the middle of the desert. Where did they get the wood??? And there's like 12 of them? And you aimed a Ballista and that took down every single one of them in one swoop? ALSO YOU ARE A SMITH APPRENTICE BUT YOU KNOW SIEGE TACTICS? AND YOU KNOW EVERYTHING ABOUT DESERT IRRIGATION WHEN YOU ARE FROM FUCKING ENGLAND? AND

    I'm yelling again

    And that's not to mention how deeply historically inaccurate it is at moments, like even besides all the general Hollywood of it all. Like sure they get some moments right but generally, holy shit it's bad lol

    Though I will say watching Will Turner learn sword fighting from Qui-Gon only to be interrupted by Jaime Lannister was pretty funny

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  • [–] 6 points 4 months ago* (last edited 4 months ago) (5 children)

    I've seen it noted by better critics than me that when people criticize movies by fixating on hyper-specific inaccuracies or contradictions (the Cinema Sins method) they're usually expressing the fact that there were deeper underlying flaws in the movie itself that meant it failed to give them a reason to overlook those hyper-specific complaints.

    After all, if the things you've listed here were reason enough to hate a film, on their own, you're basically just saying that you shouldn't watch movies. If you know enough about where and when a movie is set, you're guaranteed to be able to find those kinds of inaccuracies in any movie you watch, with very few exceptions.

    The real problem here, I suspect, is that Kingdom of Heaven, as released is a bad movie. The director's cut, on the other hand, is incredible. Ridley envisioned this as a sprawling Lawrence of Arabia style historical epic, and that's the film he made. That film was then butchered to fit what the studio thought would make a good theatrical release.

    The director's cut will not, to the best of my recollection, solve any of your specific complaints, but it is a far, far better movie.

    Of course, it is possible that the version you saw was the director's cut, in which case I'm very sorry, movies set in any version of the real world just might not be for you. Or you're just not really a fan of historical epics or something. I dunno, you do you.

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  • [–] 3 points 4 months ago (4 children)

    I watched the Director's cut. It is a ridiculous movie lol

    Sorry but the Hollywoodisms and bad history aside, it is also just orientalist as all hell and I will hold the movie's pretense of being a historical movie against it when it is so deeply revisionist

    A movie I did really enjoy was Waterloo for example. There are plenty of movies where I can forgive some artistic license. Hell, I like Chernobyl even though yes, that is also revisionist, but I understand the choices that were made. For Kingdom of Heaven though, it's clear Ridley Scott did what he is known for: putting a hatchet to real stories and chopping them down until there's nothing left.

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  • [–] 5 points 4 months ago (3 children)

    See, those are all really interesting and meaningful criticisms, and for the life of me I cannot understand why you didn't lead with that instead of trying to nitpick how they got access to wood in a region known as the fertile crescent :-P

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  • [–] 3 points 4 months ago (2 children)
  • [–] 13 points 4 months ago (8 children)

    All new Star Wars movies and tv shows

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  • [–] 9 points 4 months ago* (6 children)

    Disney somehow made me absolutely apathetic to Star Wars, an IP that as a kid I used to go to sleep daydreaming about while listening to the soundtracks. The whole thing just feels stupid af now, and it's not just because I got older. It used to feel grounded in something, and now it feels unhinged.

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  • [–] 3 points 4 months ago (5 children)

    Blame Kathleen Kennedy. She took a huge dump all over that and then smeared it around.

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  • [–] 2 points 4 months ago (4 children)

    She did a fucking awful job. Had no idea what she was playing with or how to play with it.

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  • [–] 1 point 4 months ago (3 children)

    I'm inclined to think she hated Spielberg and the franchise after working with him for years, and decided to destroy his legacy.

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  • [–] 1 point 4 months ago (2 children)

    Spielberg

    ...Y'mean..."Lucas"?

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  • [–] 12 points 4 months ago* (last edited 4 months ago)

    Uncut Gems, for pretty much the same reason a lot of people liked it.

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  • [–] 22 points 4 months ago (15 children)

    3 body problem. What a fucking terrible shit waste of paper.

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  • [–] 15 points 4 months ago (9 children)

    The worst part is that if you somehow drag yourself through the first book and rightly declare that it sucks, fans will all say "Oh, yeah, the first book is bad, but it gets sooooo much better after that!"

    This is a fucking lie. The books actually get progressively worse at a genuinely shocking rate.

    Do you like reading a series of Wikipedia articles about all these really cool ideas the author had? Do you like being slapped in the face with moments of truly egregious sexism? Do you like characters with zero defining traits? Do you like entire plotlines built around Death Note style "I know that you know that I know that you know that I know..." style bullshit that falls apart the moment you think about it for five seconds? Do you like like awful solutions to the Fermi Paradox? Oh boy do we have the book series for you!

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  • [–] 2 points 4 months ago (5 children)

    Death Note style "I know that you know that I know that you know that I know..." style bullshit that falls apart

    yeah if you didn’t like that part of death note (which i guess would be another of your responses to this question) you definitely wouldn’t like that plot line, which PSA to other commenters takes up about 1/4 of the second book. (i’m also curious to hear why you think it falls apart and debate it though i presume you wouldn’t be interested in debating this book lol. i liked the plotline partly because you also have to deduce what he’s going to do and going on through his mind)

    awful solutions to the Fermi paradox

    the Dark Forest Hypothesis has been around and proposed by physicists decades before the book popularized it, though not with that name; it is plausible that Liu independently thought of this. Stephen Hawking is a major proponent of this hypothesis.

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  • [–] 3 points 4 months ago (1 child)

    OK, so, the most important thing to understand about the Dark Forest hypothesis is that Cixin Liu is not necessarily making a serious argument for it as a realistic model of how the universe works. The novels are works of fiction, and while I will trash Cixin's prose to the ends of the Earth (it is dire, and absolutely none of my complaints have anything to do with translation; the shift from Chinese to English didn't magically replace dialogue and character action with endless tracts of dry narration, that's just how he writes, and it's bad), I think his grasp of themes is actually really, really good. I've often commented that I would love to see Liu take all of his ideas and collaborate with a better writer on putting them into text.

    In the case of Remembrance of Earth's Past, the core themes of the series as a whole are all about altruism and cooperation, and the Dark Forest Hypothesis exists as a juxtaposition and foil to those ideas. He's not necessarily advocating for it, it just works for what his story is trying to say about the human condition. The Dark Forest is, in a sense, the ultimate villain of the series.

    I also want to note that while earlier versions of the theory existed, there are subtle but important differences in how they're expressed. Hawking et al are/were proponents of the idea that aliens may be hiding, but The Dark Forest specifically presents the argument that no only is everyone hiding from Space Hitler, but that everyone is Space Hitler, as non-genocidal civilizations are inevitably wiped out. That's what I take issue with.

    As for why I think the theory is - removed from it's context as a dark backdrop against which to write a story of hope - a crock of shit...

    Well, OK, I don't think it's a crock of shit in the sense that it's utterly impossible. But it's presented, especially by fans, as a kind of inevitable logical assertion, a fait-a-complit that cannot be challenged because it's so utterly self-evident. This is nonsense. While the theory is technically possible, all of our available evidence suggests that it's extremely unlikely.

    First, at a really basic level, 100% of our observations of intelligent species refute it. Humans constantly and enthusiastically blast our position into space, and the apparently irrefutable logic of the Dark Forest hypothesis hasn't slowed our enthusiasm for doing so by one iota.

    "But humans are an outlier!"

    Based on what evidence? We have zero empirical observations to base that claim on. And no, I'm not claiming that one (1) species constitutes a statistically significant observation for my argument; rather I'm pointing to the fact that our empirical observations arguing for dark forest are zero (0), and our empirical observations against are > 0, and at some point proponents of the theory kind of have to deal with that fact. It's just as absurd to claim that humans are an outlier as it is to claim that every species in the universe must inherently be like us.

    What we do know that is all life on Earth with any degree of intelligence demonstrates curiosity. Curiosity is, as best we can tell, an essential component of applied intelligence. An incurious species will never smash a stick with a rock and learn the concept of a hammer. Curiosity compels us to want to learn about the unknown. Liu presents this idea that inter-species cooperation will always be an unbridgeable gap because truly alien creatures from truly alien environments will never be able to comprehend each other's goals and motivations, and that's frankly ludicrous. The drive to understand the unknown is what made the first ape pick up a burning stick and realise it could keep their tribe warm.

    (Am I arguing that Project Hail Mary is basically a sufficient revocation of the Dark Forest Hypothesis entirely on its own? Broadly, yes.)

    Further to the lack of evidence is the lack of any observable evidence of the ongoing galactic genocide that we are apparently endlessly surrounded by. We know when stars should die - we're actually pretty good at it - so spotting when stars are being blown up by civilisation destroying weaponry wouldn't be that hard.

    Then we get to the fundamental flaws in the game theory. Liu proposes a forest full of hunters with rifles shooting each other from the darkness, but never once contemplates what happens if the hunter you fire at has a friend. Given the nature of the weaponry employed in the story, which is never shown to be capable of destroying more than one star system at a time, that friend doesn't even have to be an allied civilisation, it can just be an extra-solar colony. The entire logic of the "Always strike first" conclusion falls apart at this point. You detect a star system that contains a nascent alien civilisation, you blow it up with a photoid. Turns out you detected one of that species first extra-solar colonies, and their homeworld immediately conceals itself, builds photoids, finds you and kills you. Hard to do, but entirely worth the effort now that you've made it essential to their survival.

    The hunters gun reveals him when he fires, and why shouldn't it? There's no reason to believe that methods of interstellar destruction are entirely undetectable to observers. Logically, opening fire is a terrible decision; you have declared to everyone around you that you operate on a first strike principle, making yourself an immediate target for destruction, potentially by a group of altruistic civilisations who will immediately choose to cooperate against you. It's really not hard to formulate the logic of the dark forest in such a way that, rather than only paranoid, genocidal civilisations surviving, it is the exact opposite; that cooperators have an inherent advantage that would lead to only cooperators surviving. The theory as presented just relies on assuming that all of its suppositions are correct while ignoring alternative possibilities.

    The argument the theory presents against the likelihood of cooperation is the notion that we exist in a universe of finite resources, but increasingly our observations of the universe show that there is a LOT more matter than there is life, and at a certain level of technology all matter is usable resources. Basically once we can start printing carbon atoms we're close enough to Star Trek replicators as makes no odds. Carbon is literally the fourth most abundant element in the universe. The Trisolarans can turn protons into multidimensional computers but they can't fabricate food from the carbon in asteroids? That is an absolutely demented proposal. In the first Culture novel Ian Banks lays out how the Culture is basically undefeatable in conventional warfare because they've completely transcended the need for territory. Planets don't matter when you can build spaceships the size of continents. The idea that advanced space-faring civilisations would be coming to blows over resources beggars belief. The Trisolarans have already demonstrated the technology required to just become a completely space-faring civilization.

    Hell, if the entire driver of a lack of cooperation is scarcity of resources, why the fuck would we be blowing up each other's star systems with all those valuable life-supporting planets? If the existence of advanced life is somehow utterly dependent on life-supporting planets in a way that is fundamentally unsolvable, you'd be insane to go around destroying them.

    None of this is fundamentally dispositive to the theory. That's not what I'm trying to claim. If it has a 0.0001% chance of being true then it's still plausible. My point is simply that in order for it to be meaningful there are so many specific assumptions that would first have to be proven, and which, frankly, fly in the face of what available evidence we have. Essentially, we would have to be entirely wrong in many of our current observations of the state of the universe. You might as well assert that the moon is actually made of cheese, it's just buried deep beneath all the bits we've studied. It's a theory that seems entirely logical, as long as you ignore the vast majority of what we know about the universe.

    And I do want to reiterate what I said at the top; the Dark Forest Hypothesis is almost certainly a bad theory because it's not meant to stand up as a theory. It's more than likely just meant to be a piece of sufficiently plausible sci-fi technobabble - just like warp drive - that it can support what the story is trying to say, not an actual theory that stands up to scrutiny. I just dislike that a) it really does rely on a LOT of bad assumptions, to the point where I was questioning it throughout the story, and b) people act like it is some kind of irrefutable masterstroke of game theory.

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  • [–] 1 point 4 months ago*

    I do agree! (and that was a delightful reply to read) I'm just still upset that this was called truly "awful solutions to the Fermi paradox", because physicists have entertained the possibility that these assumptions are true. Even if it is very unlikely, at least the principles of discovery and that Earth's more-advanced civilizations have destroyed the less-advanced one in nearly every contact are likely enough that consensus is apparently to not broadcast, just to be safe. According to https://warwick.ac.uk/fac/sci/physics/research/astro/people/stanway/sciencefiction/cosmicstories/the_dark_forest/, that is their reasoning.

    TL;DR: I agree that it's very unlikely (and that it's made as a fictional device; to do classic science fiction, essentially) but I disagree objectively that it is "awful" lol.

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  • [–] 2 points 4 months ago (2 children)

    Stephen Hawking is a major proponent of this hypothesis.

    was

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  • [–] 2 points 4 months ago

    fans will all say "Oh, yeah, the first book is bad

    i don’t think that’s how it goes. the fans i know all say both books one and two are really good (second one being better than the first of course, but no the first book is still awesome) while the third one is controversial. i personally agree with that except i also like the third book though i agree that one did nothing to dissuade misogynist interpretations and there are little if any strong femm characters in the series

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  • [–] 2 points 4 months ago

    You forgot the Deus Ex Machina explanation at the end that made literally everything before it a non sequitur.

    And he had no new ideas. Anyone that reads that series and extolls the originality of the Dark Forest theory hasn't read any science fiction to speak of, let along Saberhagen's Berserker series from the better part of a century earlier. He had nothing new, he was a literature prof writing his first SF book and doing it way worse than any literature prof should ever be at writing.

    Fucking garbage, I was angry and upset that I had wasted time reading that shit and wanted my money back. If anyone tells you that was great SF, you can safely turn your back and walk away, they have nothing useful to contribute to a conversation on the matter.

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  • [–] 4 points 4 months ago

    I think I've read (or at least started reading) the book like three times and watched the show twice and I remember none of it

    at least, I think it's that one. might have it mixed up with something else.

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  • [–] 3 points 4 months ago (2 children)

    The only answer I can't understand. A great novel. I Chinese context was very fresh and interesting for me. Sometimes it seems amature, like fan fiction, like author is not a professional writer. But it makes it even better.

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  • [–] 3 points 4 months ago (1 child)

    I mean, I think you explain the reasoning in your own comment, the writing (at least in the English translation for me) was so rough that I couldn't get into it. I can't say I hated it, I just never got far into it because it couldn't keep my attention.

    I'm surprised to hear someone say the poor writing was a plus for them. Why did that make you enjoy it more?

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  • [–] 2 points 4 months ago

    As I explained - it feeled fresh. I can't explain why, but I can't put it down while reading.

    I don't try to convince people, who read this book, that it's great. I address people who haven't - you should give it a chance.

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