where's the rest of the limerick, OP?

Festival organizing is obviously a lot of work, even for smaller festivals like we did (think a big tent with 1500 guests and a few artists and dj's). Since most of the work is done beforehand, we usually had it quite chill on the festival days. So we always took our times, hung out backstage with the artists and always had a buffet going there. Most artists loved being with us, because usually they would just get an assigned dressing room and a stage time. We loved doing this, because we got to hang out with the artists. So, amateur tip; if you organize a festival, hire bar personnel for the festival day and have a good time.

They used to. Most Walmarts now only sell a limited selection of shells, like 12 gauge, and some rifle cartridges meant mainly for hunting.

Afaik, no store in the company sells actual firearms anymore. We have a selection of airsoft guns though.

Depends on the community I guess. It's not a red state thing as I'm in one and it's hit or miss whether you'll see guns in Walmart.

Picture related

If you ever get a chance to see any of his works in a gallery or museum.. do it! The colors glow like nothing you've seen.

When I was little, I had an aunt that had one of the prints called Ecstasy - from 1929 - in her home.

Faded and of course stained (even though it was under glass) from the chain smoking she did.

It was one of her most cherished things, so I learned everything she knew about Parrish - she had an encyclopedic book on his technique which I read from cover to cover and as I got older, I tried my hand at glazing - a fierce technique of layering transparent and translucent color onto panel or canvas.

Each color separated by a clear coat so you look into the image, like stained glass, layers deep.

Years later, there was a comprehensive show of his pieces that came to the Currier Museum in New Hampshire (early 90's IIRC) and I got tickets for myself and auntie..

I got to his most famous image - Daybreak - and the colors in it are beyond anything that any online photos show.

Not even the NY Lithographic Society that initially had rights to the image come close.

Pinks and magentas in the trees that frame the image that take your breath away. I stood in front of that painting for a good 15 minutes and have the colors burned into my mind.

At some point, if I can find a good enough high-res copy, I'm going to try my hand at doing a CMYK color separation of the image (with Photoshop or GIMP) and readjust to what it actually looks like. No one's gotten it right. I've always been a bit of a colorist and zoom in on tint, tone and shade, so this challenge is one that hits my artistic monkeybone, big time.

I won't even get into the landscapes of the New Hampshire winters and the evening light he recreated in those images. You can fall into them.

Definitely, again, if you ever get a chance to see a real Parrish.. do it. It's absolute magic.

HF Telex

Thank you very much, dear mod. ( ꈍᴗꈍ) I did both sort of, I studied graphic design, and we had some traditional art training there. after I graduated I studied in the university of youtube haha I actually honed in my skills there.

You notic𝖾d!! 🎉

I b𝖾li𝖾v𝖾 many p𝖾opl𝖾 can't t𝖾ll the diff𝖾r𝖾nc𝖾 wh𝖾n k𝖾ming or l𝖾tt𝖾rs (i.e. ee, aα, or a s𝖾micolon ; and a Gr𝖾ek qu𝖾stion mark ;) ar𝖾 just a bit off, and I lov𝖾 it!
My nam𝖾 grawlix is the us𝖾 of typographical symbols to r𝖾plac𝖾 profanity (i.e. @$&%#), but I don't want to b𝖾 too obvious :)

Thanks mate I'm a DA outreach worker I've studied it a lot and can bore people to tears for hours with it

Depending on the size of the canopy, there can be a fair amount of pressure required to pull a toggle. Tandem rigs, which have 500ft^2 mains are somewhat difficult to guide by one person. Most TM's that I know require their passenger to help out. Not that they cannot be flown by one person, just that doing that 10 times a day wears a person out.

My personal mains: PD Spectre 150 and 135, and Sharp Chuter (used for demo jumping) all had very different toggle pressures. The Sharp Chuter being the heaviest. It was also 90ft^2 larger (240ft^2) than my Spectre 150. My 135 had almost negligible toggle pressure. The smallest canopy I've ever jumped was a Velocity 103 and that thing has almost no toggle pressure what so ever. Plus with such high wing loading made it down right twitchy. Personally I was never one for ultra high wing loadings. Having 40mph approach speeds to landing was never appealing even when I was young.

Also skydiving canopies are a LOT more square than a paraglider. While I could not explain the physics there, it seems to me that a thin wing would have lighter toggle pressures. Canopies that I've jumped that were more tapered seemed to have a lighter toggle pressure of equally sized non-tapered canopies. A paraglider canopy is extremely tapered compared to a skydiving chute.

Also, don't you folks have 6 risers? While there have been 6 riser skydiving rigs, they are very uncommon. So each riser requires a lot more pressure to pull... I'm assuming paraglides do riser turns and other maneuvers with them.

There is a Paragliding club here where I live. Even met one when he landed at a local park when I was out walking. I currently have one kid in college and another going to be there in a couple of years, so it's not going to be anytime soon, but I would love to try it out. I'd love to get back into the air. Skydiving is pretty much out, as I have a back injury that could be made really bad with a hard opening.

To make a short story long... Yeah, I can see a skydiver being ham fisted with a paraglider. A jumper with a lot of experience with very high wing loading (over 2.0 to 1) might not, but me? Yeah, I'd probably ham it up for the first few hours. It would be interesting to learn just how much skydiving canopy experience would translate. I'm sure some would, but definitely not all.

Never had the opportunity, but I love me some nice, warm, tape saturation

Nice. When I am teaching students in our intro class that everyone takes it once regardless of skill, I can always tell when someone has skated as a kid (or done other sports like skiing) even if it's been decades for them - it's just much easier to return to than to start from scratch like I did.

It was a university degree in the UK , and then I worked for the NHS for a number of years (until I moved to France and a much more relaxing job teaching at a university). I mostly specialised in pediatrics, particularly ASD and other developmental conditions. If I'd stayed with adults I would have focused on Aphasia and acquired language disorders. I found neurology very fun, and the way that damage could reveal the maaany faculties required for effective communication was super intresting to me.

LSVT is certainly well-evidenced and I've seen it be very effective. But it's quite repetitive, so colleagues who did a lot of it sometimes complained of not getting a chance to be creative in their approaches, just having to stick to the protocol.

Dysphagia is a bit scary, but it makes such an incredible difference. Even many years after working with stroke survivors, every time I'm incredibly thirsty I think about the poor folks who were 'nil by mouth' and so desperately wanted a mouthful of water. Having a nurse swab your mouth is really not the same. Doing a swallowing check with them and giving the nurses permission to give them some fluids (even if they had to be weird and thick) completely transformed their day.

Good luck with your studies! It's a very rewarding career!

Social stories can be really helpful for all sorts of things. But it really depends the individual and what their strengths and needs are. I've worked with children with ASD and they've been great readers, but struggled with verbal communication and understanding social expectations. For them having a short focused 'story' that explained how to ask a question in class, or how to share with a friend, can be really helpful.

I've also seen them be effective with adults with learning difficulties. But often that's more because it trains the carers and family members around them. Not only does it fix the language so that the same thing is explained the same way everytime, and in appropriate language, but the process of writing the story and trying to articulate a piece of advice into concrete simple language can help 'normal' people realise how complex the 'simple rule' they want to communicate actually is. "don't talk to strangers" is the sort of advice people give, but what's a stranger, how does someone become 'known', what about a police officer? Or even a waiter?

Definitely a skill that decays quickly if you don't practice it. I don't do lockout calls so I always find I'm super rusty whenever I actually need to pick things for customers.

Whateva eyem way dummera thin yo

i know about vagina and balls