I’m of two minds on this one.
On the one hand, the genocide needs extensive and copious pushback.
On the other hand, he is inside of a play, as a performer, doing contracted work. Where in his contract does it give him this leeway?
If this happened outside of the performance, then fine. But inside of it? Yeah, I’ve got mixed feelings on that one. It just seems… immature? Not sure that’s the right word, but it’s the closest one I have so far.