[–] 4 points 3 months ago*

Continue working... but poorly.

If I really have to be in bed... work still... but even more poorly.

But if I have to be in bed and can't function... then whine a lot (internally)... read if possible... or maybe binge a dumb show? (And continue more internal whining.)

It's pretty rare that I'm ever bed ridden though, so 🤷🏽

P.S. I feel really, really fortunate and need to acknowledge that privilege. Sure, I have health concerns and there is probably some dark mass broiling within 😅😐, but I'm currently able to care for and provide for my family, which is a huge deal. So... much much gratefulness for that. 💜🙏🏽

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  • [–] 12 points 6 months ago* (last edited 6 months ago) (1 child)

    US-Iran War Cost Tracker

    Ceasefire — Standby Costs Operation Epic Fury

    Last updated: April 29, 2026 · Auto-refreshed from CSIS, Pentagon, and Penn Wharton models

    Total Estimated Cost to US Taxpayers $31.63B

    • 60 Days Since Start
    • $2,025 Current Rate/sec
    • $7.29M Current Rate/hour
    • $175.00M Standby Rate/day

    Src: https://militaryspend.org/us-iran-war

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  • [–] 3 points 6 months ago* (2 children)

    I figured this might surprise people. 😁

    For the record though, I would like to discourage people catching pigeons and squeezing them to add milk to their hot morning beverages.

    Unless it's a mourning dove. In that case, the homonym allows for it.

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    I often see tv shows and video creators quickly put together compilations where, for example, a politician repeats the same word or phrase across many different appearances. How are they able to find and organize these clips so efficiently?

    Is there a specific tool, database, or workflow used to index and search video/audio by spoken words or ideas I’m curious what this process is called and where something like this is accessed.

    EDIT: Transcripts can be searched, which are accessible through various means, but it is time consuming and most people don't have libraries built up that contain the content for quick access.

    I'm thinking more about something like The Daily Show, SNL, or any late night TV show. I can't imagine that they're manually doing all this work independently.

     

    My work situation is greying and killing me faster than my body can withstand. And so, I've updated my resume and started putting feelers out there which means recruiters have been reaching out

    Nearly every message starts with "I hope this message finds you well." Honest to doGs truth, I think I'm genuinely going to have a cerebral aneurysm. 🤯

    I'm normally pretty easy going, but a few things can still get to me and this is one. Perhaps I've even been sent an amazing opportunity which deleted these because I c a n n o t stand seeing that phrase. WHY?!

    [insert indiana jones raiders melty face gif]

    Yeah. I know i am opening myself up to people saying this in the replies. sighs

    How about this? Share with us what one your favorite birds is and why? I like that. Birds are nice. They bring happiness... unlike my soul-sucking, anxiety inducing job.

    🐦

     

    On Jan. 6, 2021, 140 police officers were injured defending the U.S. Capitol from a violent mob of Trump supporters. Five years later, many still live with the physical and psychological damage from that day.

    NPR Investigations correspondent Tom Dreisbach sat down with two officers who defended the Capitol — Michael Fanone and Daniel Hodges — to watch their police body camera footage from Jan. 6. Both were subjected to some of the most brutal violence of the day, inside a tunnel where police were outnumbered by rioters armed with flagpoles, stun guns, crutches, stolen police shields and chemical sprays.

    Fanone, Hodges and other officers say that Trump's mass pardon of Jan. 6 rioters has exacerbated the trauma of that day. Both Fanone and Hodges have received death threats, and been called "crisis actors." But the footage from their body-cams shows the reality of what they experienced.

    Both videos come from NPR's Jan. 6 archive, part of a long-term effort to preserve the historical record — a public database tracking every arrest, charge, verdict, and sentence related to the attack. In Dec. 2025, the archive expanded to include police bodycam, surveillance video and other courtroom evidence, making this material available for anyone to examine firsthand.

     

    I never expected to like this show as much as I did. I knew it had been canceled going into it, but I kept hoping and crossing my fingers that by the end of season 2 we would know what Jen's power is. And then...

    spoilerKash accidentally pushes her into the garbage void?! 🤣 As they were on the platform, I told my partner that she's going to fall in somehow and then... voop! I'm so curious where that portal leads to. I find it hilarious that everybody's throwing their trash into it! Lol. And the poor woman still doesn't know her power!

    Such a cliffhanger to end on. Ugh, the number of shows that I watch which get canceled is nuts. I am particularly miffed about how much isn't being resolved in this one.

    With that said, it was a hilarious story and I loved the concept so much. 💜

     

    I don't watch horror slasher/spatter films because it's never really interested me, but I found the Weapons trailer intriguing. The way all those kids ran away from their homes in the middle of the night. There was some pretty great cinematography and choreography in this film. I was there mainly the mystery solving and fantastical elements.

    Unfortunately, the supernatural element wasn't explained. It borrowed from familiar witchcraft tropes, but didn't go anywhere. So many questions. Then it became... gruesome. Exceedingly so. (And yes, I know it was more mild than other films.)

    Anyway. I'm just lost. What draws people to these kinds of gruesome films? If it's something you love, what excites you about it? I feel as though great stories can be told really well without being this explicit. But perhaps great storytelling isn't what people are looking for in horror films?

    Perhaps it is the fear and suspense it brings out of you? Or maybe the squeamishness of not being able to look at the screen at times? Maybe some people look forward to the gore, which adds value the more gruesome it is? 😬

    I feel like I am not getting something. I love fantasy. I love stories. I feel like there was a lot of great potential in this film for storytelling, but it never came to fruition and was kind of ruined by focusing on the wrong things. And that's probably because I don't understand what makes a good horror film good in the first place?

    Thoughts?


    Update: Some comments helped me refine what it was that bothers me. I had to look it up and the Wikipedia article helped a lot by breaking horror down into subgenres. It's "slashers" that I don't understand, but particularly "splatter" films. When I look at lists, it turns out that I enjoy a lot of "horror" without realizing it's classified as horror. But gorey, body mutilation... that is the form of horror that I struggle to understand the appeal of.

    Weapons employs mutilation at the end and I was wondering why I needed to see this. The filmmakers added it because they wanted me to experience it. They thought it added to their film, but my experience was the opposite. I thought the story was doing great on its own and then... ugh... wtf... who wants to see this? 😅

    So this is what I was really asking: For those that enjoy and seek out gorey mutilation, what is it that attracts you to that?

     

    Current Version: Boost Beta 1.0.22 (26)

    Issue: When I send DMs, the keyboard always covers the message input box at the bottom of the UI, making it impossible to see what I am typing.

    To workaround, I switch to the WebUI for messages (which is worse for its own reasons) or I write my message in a different app and then cut and paste it into the Boost message field.

     

    Feeling sad and pensive.

    My 'work husband' quit a couple weeks ago and, now that he's finished his exit interview with HR, they've taken his badge and escorted him out of the building a few minutes ago.

    We been through a lot over the years. He's really the only one that I would call a friend here and we've always looked out for each other.

    This place is a soul crushing machine. He's moving on to something way better for his health and career. I'm genuinely happy for and not in the least resentful.

    Enjoy the moments while they last, folks.

    So tell me about your work buddies. Any silly memories to share?

     

    Federal immigration officers in the Chicago area will be required to wear body cameras, a judge said Thursday after seeing tear gas and other aggressive steps used against protesters.

    U.S. District Judge Sara Ellis said she was a “little startled” after seeing TV images of clashes between agents and the public during President Donald Trump’s administration’s immigration crackdown.

    “I live in Chicago if folks haven’t noticed,” she said. “And I’m not blind, right?”

    Every win matters. It's so important to see sensible judges.

     

    Some people have the audacity to say that Trump's policies don't lead to misery and death.

    U.S. Secretary of State Marco Rubio sat before Congress and declared: “No one has died” because of his government’s decision to gut its foreign aid program. Rubio also insisted: “No children are dying on my watch.”

    But the data says and projects otherwise.

    A study published in The Lancet journal in June said the U.S. funding cuts could result in more than 14 million deaths, including more than 4.5 million children under age 5, by 2030.

    The United States could have been a beacon of hope and a model to look up to. For many years, that was the case for people and immigrants all around the world.

    In a matter of months, that has all crumbled to its foundation. It's so hard to watch.

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