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[–] 99 points 6 months ago* (31 children)

I know it's been beaten to death but I just finished re-watching all 9 + rogue one, and can confirm there's no reason for anyone to go back to the sequel trilogy. TFA gets some credit as a solid popcorn flick but doesn't change the fact it's retreading ANH, just to have every original story beat crushed by TLJ. By the time I got to Rise of Skywalker I was totally checked out, it's just noise and explosions with a plot that is borderline incomprehensible.

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  • [–] 18 points 6 months ago* (2 children)

    Rogue One is the only one of these new movies that I really enjoy and re-watch. I really didn't expect Disney to allow that ending for the rebels sent Scarif but I'm glad they did. I also kinda love how they blend it into Episode IV.

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  • [–] 4 points 6 months ago (1 child)

    Rogue One was legitimately great. Probably because it broke the Star Wars mould.

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  • [–] 3 points 6 months ago

    Something that I think helps it stand out is that it doesn't rely nearly as much on "marvel style" humor. There are some funny moments but they're more character driven you know? Like when K-2 slaps Cassian to sell the idea to the Imperials that K-2 is in charge.

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  • [–] 14 points 6 months ago (8 children)

    Same, I started rise of Skywalker, and only after the ridiculous opening sequence I was already done with the whole thing. And I love Star Wars.

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  • [–] 35 points 6 months ago* (last edited 6 months ago) (7 children)

    I still can't believe some writer penned "some how, palpatine returned" into the script and didn't light the whole draft on fire right there. I guess between the hamfisted bloodline reveal and the magical sith dagger guiding the way to the star destroyer parking lot - who cares at that point. Fuck it, send it.

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  • [–] 22 points 6 months ago* (4 children)

    Oscar Isaac did an interview recently where he revealed that line was added in reshoots. So that line was written in an attempt to fix whatever catastrophic wreck the script was in before then.

    I'm imagining some writer going "wait a minute, did we ever explain why Palpatine was back?" And then writing that and leaning back with a smug "whew. Nailed it."

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  • [–] 15 points 6 months ago (3 children)

    As bad as it is, that line and “they fly now” are Lucas level shit dialogue and the only two memorable lines from the trilogy. Compare that to the atrocious dialogue of the prequels that have become such beloved memes you don’t even have to add the words.

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  • [–] 12 points 6 months ago* (2 children)

    That palps line represents so much more than the dialog quality to me though. It's all about the context, TRoS built up nothing around this and suddenly jumps sideways into a plot that neccessated invalidating a significant moment of the original trilogy. It's jarring as a viewer and there's no explaination for why it's happening. THEN the film has the audacity to imply through dialog, actually the audience should not worry about the details - this is what we're doing. Almost feels insulting in some ways.

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  • [–] 6 points 6 months ago (1 child)

    I agree. It’s just a snippet of Lucas level dialogue in a trilogy that otherwise isn’t Lucas grade throughout. SW fans may have shat on the Prequels when they came out but have more or less forgiven and embraced them for what they were because the hardcore fans know George is a great visionary, terrible execution. The actors did the best they could and there’s a charm to what the director wanted to convey but the clunkiness of the words. The shift from Hayden and Ahmed hate to fan love shows that realization. SW now operates in two realities. The realistic grimdark of Andor, or the classic good vs evil camp of Lucas. The sequels delivered neither.

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  • [–] 2 points 6 months ago

    I still can’t make it through rewatching the prequels, which premiered my first year of college.

    I think nostalgia will probably polish the sequel turds just like it has done with the prequels.

    I just want the in fucked with OG prints in 4K, and I’ll rewatch Andor and Rogue One, and even fucking Skeleton Crew one more time.

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  • [–] 0 points 6 months ago

    Sure hut fans where demanding it. I thought they where going anyone can have the force. They shown it with little kid and broom. But all fans where like she has to be somebody there is no way she can't be a nobody. Has to be blah blah blah. And the SIMPs Disney are now they are like let's give it to them.

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  • [–] 9 points 6 months ago (3 children)

    I will give Rise of Skywalker one thing and one thing only: Babu Frik. I know he was probably designed by committee to be cute and endearing, but man I love that little dude.

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  • [–] 11 points 6 months ago (1 child)

    As a fan of the Dark Empire comics, I had already accepted that Palpatine returning was a possibility. The lack of any real storyline hinting at that in the two movies leading up- I expected disappointment. And I got what I expected, though visually Exegol/life support Sheev was cool. The idea that he had an entire fleet of Death Star Destroyers fully staffed and just chilling was implausible. That they were dependent on one transmitter was ludicrous. That the attack run on them was a cavalry charge of space horses was one of the stupidest fucking thing I’ve seen on film.

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  • [–] 7 points 6 months ago

    What pisses me off about that movie is that they spend a fair bit of time building out that Rey has super powerful force healing. So, like, what if she healed Palpatine? What if the ending to this saga of endless galactic war was not more death, but an act of healing? Maybe Palpatine still dies, but he's at least made aware of what he's done or something.

    Nope. Rey use two lightsaber. Rey block real good. Palpatine go dust dust.

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  • [–] 41 points 6 months ago* (13 children)

    TLJ is what I think gave the sequel trilogy... hope.

    TFA is very much a nostalgia grab re-tread of ANH. Which is the point. Evil has come back and something something it rhymes.

    TLJ is all about breaking the cycle. The hero? She isn't a chosen one. She is a random unhoused garbage goblin. The reluctant hero? He isn't coming back for selfish reasons (wanting to bang Leia) and is instead realizing that he is part of something bigger than him. The confident scoundrel? He got told quite definitively that he is a childish moron who gets people killed and to do better.

    And Luke? if he was really The Chosen One... why did everything repeat? The stories of our parents aren't gonna solve things so let's try something new. Let's democratize force powers. Let's ACTUALLY fight against tyranny.

    And then China allegedly got pissed and Disney had JJ come back to undo everything in the first 30 minutes of ROS. And only really succeeded in making a movie that EVERYBODY hates.

    That said? Rogue One and Andor were somehow snuck in there and those are very much a Star Wars made for people who grew up watching the prequels. And it is amazing for it.

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  • [–] 28 points 6 months ago (6 children)

    Luke was never the Chosen One, I think you've misinterpreted. It was Anakin who defeated the Sith. Luke just scored an assist.

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  • [–] 14 points 6 months ago* (4 children)

    Luke was possibly a second try for the Force (which assumes some type of agency, but any of these theories do). Anakin met all the Chosen One criteria, except he turned (thanks to the Jedi Council and Palpatine's manipulations of them all). Luke was both a redemption for Anakin, a removal of the breaker of the prophecy (Palpatine), and a hope for the future. A second Chosen One, one who might be as or more powerful than Anakin in his prime, since he has the blood and gift but not Anakin's personal trauma that haunts and detracts him.

    I think the biggest flaw of the sequels was the vagueness of why Luke couldn't renew or reimagine the Jedi again in a better form. It's glossed over to give a minimal backstory for Kylo, Snope is even more unclear and ended up being nothing, and why it drove Luke into isolation still isn't really told.

    I liked TFA. I didn't like the start of TLJ. I expected a better thing that Luke just "meh" with the saber and the apathy towards everything. I wanted something deep and dramatic, tragic even. I was okay with Rey being no one special, that actually was the best part of TLJ (the end with the kid and broom). That seemed very interesting to follow.

    Then it lost me fully.

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  • [–] 16 points 6 months ago (1 child)

    Technically Anakin brought balance to the force. There used to be a bunch of Jedi and a few Sith. Because of Anakin, now there are a few Jedi and a few Sith.

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  • [–] 5 points 6 months ago

    Shoot, what was that comic where Yoda demonstrated his concerns about Anakin using salt and pepper? He dumped them both out, stuck his finger in the middle, and blew all the rest off the table. He lifted his finger, showing only a few grains of each left, and said "balanced, it is"

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  • [–] 4 points 6 months ago (1 child)

    I hadn't heard that China might have pressured Disney about the democratization of heroism, but... I could see it. I agree TLJ felt like a bit of a downer -- especially coming from the abandoned Expanded Universe novels where Luke hadn't done the best job but at least had set a direction for Jedi to come back into the galaxy. I still don't love Rey's encounter with the dark side.

    But the disruption of every story beat, the possibility of being a hero because YOU choose to step forward, that was a great twist. The broom scene should have set the direction of the terribly named Episode 9...

    Maybe I'll slip Rogue One in and drop Episode 9. Still 9 movies, and only really regret the first one.

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  • [–] 0 points 6 months ago

    Luke was the son of the evil warlord who single handedly changed the fate of not just The Rebellion but also The Galaxy (and yes, I know the EU expanded on that to make it less the case). Was he the one in the prophecy? No. But from a narrative/trope perspective, he was 100% The Chosen One.

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  • [+] 4 points 6 months ago* (last edited 6 months ago) (2 children)
  • [–] 2 points 6 months ago (1 child)

    Potential for a completely unrelated future story, not the end of the one they were trying to tell. TLJ is why RoS is as bad as it is. It sacrificed the future for a subversion level high score.

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  • [–] -1 points 6 months ago

    TLJ wasn't really a middle story, though. It was a downer ending. After that there was nowhere to go without a generational time skip and a completely new story that would be inappropriate for a trilogy. There was no big antagonist anymore, there was barely any protagonist left, and every dangling plot thread was ruthlessly cut short.

    Contrast it with ESB and you see with that you while have a bittersweet end to the movie, you do not have an ending of the story. Lucas even left room to bring back Han who he just sort of killed.

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  • [–] 30 points 6 months ago (7 children)

    Andor shits on the rest of Star Wars, also Solo was good.

    The rest? Mediocre at best.

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  • [–] 26 points 6 months ago (4 children)
  • [–] 9 points 6 months ago (3 children)

    As is season 2.

    Boba was Mando season 2.5 and while the Mando moments are good, it comes too soon and the Boba story is messy.

    Mando season 3 also has good moments, but it needed at least two seasons to tell the story, but instead it's rushed it so they can make a film.

    People complain about having to wait 2 years for 8 episodes of TV, Mando season 3 to the film is waiting three years for about 2-3 episodes.

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  • [–] 7 points 6 months ago (2 children)

    I preferred S1 where it’s just a dad on the run with his adopted son, before they started trying to add all these tie-ins to more “mainline” Star Wars lore.

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  • [–] 2 points 6 months ago (1 child)

    So I agree, but it's impossible to keep Baby Yoda in a bottle. Any other Jedi or potential Jedi species and you can play that out however you want. But Baby Yoda? You can't ignore that.

    I understand conceptually the idea of not tying it to mainline lore... But Baby Yoda? You can't ignore that.

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  • [–] 29 points 6 months ago

    I actually watched the second one twice, because I literally forgot I watched it the first time. Like, I saw it on the listing and said to myself "hey, I heard this is lousy, but maybe I can give it a try, I bet its at least fun and entertaining."

    I got fully halfway through the movie before I realized that I had actually watched it before. I usually have a pretty good memory for films, but this thing has so little substances and held so little of my interest it just sorta slips through my brain without leaving anything behind at all.

    I know for a fact that I have seen it twice because of that memory of realizing it halfway through the second viewing, but you know what? I still don't remember the movie at all. I have zero memory of it. I cannot tell you what its about or what happens. Nothing at all. It is like getting surgery. You are awake and then you are awake again a couple hours later. Nothing in between.

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  • [–] 28 points 6 months ago* (last edited 6 months ago) (11 children)

    "Somehow, Palpatine returned"

    No shit no one wants to watch this. Marvel Disney just milks IPs for a super long time and anyone thinking otherwise are blind and gullible.

    Edit: whoopsie :l

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  • [–] 10 points 6 months ago (5 children)

    Largely everything Disney makes now is trash. Everything is written by an executive and it's always bad.

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  • [–] 2 points 6 months ago (3 children)

    Onward is a good movie though

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  • [–] 4 points 6 months ago (1 child)

    Any original projects seem to be left mostly alone, so the creators can actually do their jobs..

    All their sequels and IP though… they reek of focus groups and decisions made by Excel spreadsheets ….!

    (Now I just remembered how Wish became a husk of its original plan.. so disregard all that 🤣)

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  • [–] 1 point 6 months ago (2 children)
  • [–] 47 points 6 months ago (1 child)
  • [–] 23 points 6 months ago (5 children)

    The writing was just… so atrocious in the last trilogy. Like, no coherent themes or through lines, characters were bland and poorly executed, dialog was clunky and stilted, pacing was none existent and the story was disjointed with completely un-engaging stakes.

    Like, some say “oh well that’s true of all the previous star wars films” and no, it wasn’t. Some of that was true of some elements of the first and second trilogy. But none were all of that at once.

    I just have… no faith they’ll do anything interesting. Once is a fluke, twice is bad luck, three times is a pattern. Disney’s modern methodology for producing films is clearly flawed at some fundamental level. The chance that the corporate machinery has realized there is a problem, correctly identified it, and then actually fixed it is close to zero.

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  • [–] 6 points 6 months ago* (4 children)

    Plus Kylo-Ren is not scary or intimidating

    He just seems like a force wielding spaz

    So there is no threat, or sense of danger....zzzz

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  • [–] 2 points 6 months ago

    Having Kylo Ren and the First Order be a bunch of larping dweebs was almost fun back when the ‘alt-right’ was just a bunch of larping dweebs. I wish they’d kept the spirit of that interpretation.

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  • [–] 2 points 6 months ago (2 children)

    Plus Kylo-Ren is not scary or intimidating

    Adam Driver is terrible. He should stick to bad italian accents.

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  • [–] 23 points 6 months ago (3 children)

    Being bland is worse than being bad.

    I can watch comically bad sci fi. But... I can't remember a thing about the last two movies of the trilogy. And I remember a whole lot of "meh" sci fi.

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  • [–] 8 points 6 months ago (2 children)

    I can watch comically bad sci fi

    Ordinarily I agree but dear god stay away from Rebel Moon, worst shit ever and not in a remotely fun way

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  • [–] 4 points 6 months ago (1 child)

    I remember that one of them, I think the second one, is called The Scargiver. I couldn't tell you who had a scar or who gave it. Those movies wish they were trash.

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  • [–] 2 points 6 months ago*

    My favorite-least-favorite part is that in the first one, they give the fascist (who is a Hellsing-tier Nazi [love Hellsing tho], he's not a fascist with an actual ideology, he's just eviiiiil because he's so eviiiiil) a shillelagh. Why? Who the fuck knows. And then in the end of the movie (no spoiler warnings, I am sparing you) he gets stabbed with it. He gets stabbed with a relatively blunt stick and that's how he dies.

    It's just so bad. I'm in a similar boat as you, I'll watch scifi even if it's garbage. I watched all of Dark Matter, which is a scifi series that feels like Star Trek fanfiction written by an edgy 13-year-old goth kid (I am qualified to say that as a former edgy 13 y/o goth kid). It was miles more enjoyable than Rebel Moon. Even Morbius got me to laugh often, Rebel Moon just made me want to self immolate.

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  • [–] 22 points 6 months ago* (last edited 6 months ago)

    TLJ had me leave the theatre saying "that was terrible" haven't touched it afterwards.

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  • [–] 19 points 6 months ago (1 child)

    Sequels trilogy is not canon! (・へ・)

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  • [–] 18 points 6 months ago (4 children)

    Yeah, cause collectively they were mid asf.

    Force Awakens was reheated "A New Hope" leftovers, but I guess if you had to start with something memorable for a reintroduction to the Star Wars universe, you can't go wrong with a soft remake of the one that started it all.

    I actually found The Last Jedi to be an interesting story, if not a decent movie with interesting ideas that could be capitalized on in the sequel.

    Unfortunately that was not the case, and Rose of Skywalker, along with Obi-Wan and Mando season 3 torpedoed any interest I had as a relative newcomer to the Star Wars franchise. Side projects like Visions have kept my interest only because the anthology format allows for unique narratives and perspectives. It's why I loved Tartakovsky's Clone Wars.

    I keep hearing amazing things about Andor and Maul: Shadow Lord, and I believe the hype wholeheartedly, but damn, after being inundated with Disney Star Wars year after year after year, I'm sick and tired of (modern) Star Wars.

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  • [–] 24 points 6 months ago (2 children)

    Ok but for real Andor is only a Star Wars show because of setting. The story, dialogue, etc are all a cut above anything else. Most of the things you think of with Star Wars (light sabers, the Force, etc) are really not part of the story. I hope you’ll give it a chance because I’m not a huge fan of Star Wars (OT is good but that’s about it for me) but Andor is fantastic.

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  • [–] 7 points 6 months ago

    Star Wars doesn't need lightsabers or the Force any more than Marvel needs Iron Man or Captain America. They're both good, and they're a couple of the most iconic parts of the franchise, but both Star Wars and Marvel are big universes, and they can both tell stories totally separate from those popular touchstones.

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  • [–] 11 points 6 months ago* (last edited 6 months ago)

    Andor is by a large distance the most fully-realized and profound Star Wars anything and they manage to do it in all directions: the action is good and in the spirit of the original Star Wars trilology, the characters are believable and not cardboard deep (unlike the original triology), the context of the story is one of fully realized believable societies

    The story is mainly consistent and believable, with various threads that criss-cross in a natural and coherent way and are eventually brought all the way to a conclusion and no further - the latter a rarity for TV Series, which tend to end not at a natural conclusion of a story but instead past the end of the story and after "just one more" (sometimes two) seasons are forced in, which are shit. In Andor, maybe only a few things in the last few episodes of the last season felt like they've been forcefully wrapped up to reach a conclusion but mainly the whole thing just naturally reached an ending.

    Shit, even the architecture and wardrobe design are consistent and memorable in those things which weren't "inherited" from previous Movies and Series in the Star Wars universe - Ghorman especially is visually a fully believable and realized environment nicelly entwinned and consistent with traditional Star Wars universe elements.

    Andor is, however, not the pure roller coaster of action that the original triology is.

    I would recommend the Original Triology and Rogue Squadron as exciting roller coasters of action in a fully realized futuristic sci-fi environment and Andor as a good long-form story, with depth, well written, fully realized, well acted and with great production values that happens to take place in the Star Wars universe (so it also ticks the pleasant memories of those who grew up with the Triology) and does have plenty of Action, whilst being a lot more than just that.

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  • [–] 34 points 6 months ago (4 children)

    The last two of the new trilogy are borderline unwatchable. Just abysmal, b-movie level storytelling.

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  • [–] 11 points 6 months ago (1 child)

    I think people have forgotten how to write good movies since it's been such a long period of remakes and franchise garbage.

    Plus corporate greed and algorithms have resulted in cookie cutter scripts that "should please the largest amount of people" or some shit like that.

    Everything is made to me inoffensive to anyone and appeal to the widest variety of people.

    There's no movies that tailor to a specific audience anymore, where 20-30% of people will think it's amazing, instead 40-60% of people might think "meh, might as well watch it"

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  • [–] 19 points 6 months ago*

    I think people have forgotten how to write good movies

    No, they still write good movies. The problem is that the money-men will not fund good movies because all they want is a big return on their investment. That means that they only fund sequels and spinoffs of previously successful properties. Only on rare occasions does anything new get funded and even then the decision is based on something other than the quality of the story.

    There are lots of good stories out there that will never get turned into movies or shows simple because the people who make the decisions are trying to make money rather than art.

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  • [–] 15 points 6 months ago (3 children)

    Yeah I watched them once each and was so disappointed I think my mind erased the very memory of these films. I can't remember shit about them.

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  • [–] 3 points 6 months ago (1 child)

    There is some mercenary type woman in body armor and face shield that Poe Dameron meets for some reason in the last movie.

    You could put a gun to my head or offer me millions of dollars, and I still wouldn't be able to name that character.

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  • [–] 4 points 6 months ago

    Ah yes, the spice runner that Poe had a fling with back in his runner days that Rey has a stick up her ass about.

    AKA, the girl introduced so FinnPoe shippers would be erased from existence.

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  • [–] 12 points 6 months ago* (1 child)

    I gave Disney the benefit of the doubt when they shelved the EU and JJ talked about doing something completely new. I was impressed by the lengths they went to to get the look right (even hunting down the original lenses). I went to quite some lengths avoiding spoilers.

    It didn't take long in cinema to realise I was watching a soft reboot trying to dismantle the original trilogy. I felt betrayed and disgusted. Since then I haven't touched anything Star Wars and completely started to boycott everything Disney.

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  • [–] 12 points 6 months ago (4 children)

    When the prequels came out, I didn't love them, but I absolutely had to wear it the fact that we got more Star Wars. At the time we really didn't expect to get any more out of the franchise. IMO Jar Jar notwithstanding, they were acceptable, but not up to the greatness of the originals. While far from perfect, they did tell a story, They added decent choreography and some reasonably pretty visuals.

    The new trilogy tried to go all Kubrick on us.They try to tell a story through visual cues and really, it's not doing a great job at it. The characters have Backstories, but they're held from you until you're getting three-quarters of the way through the movie trying to figure out what the hell is going on while they get around to tying in the original characters. Star Wars requires that exposition.And honestly, another Death Star, another critical flaw, its bigger, its scarier, its all really low effort bullshit.

    It was great seeing Luke and Han again, I really wanted to like Rey, They just utterly failed to develop her character, and then the crak with Snoke. You just end up coming out of the movie, feeling like you didn't understand half of what the new story is, and being utterly bored with the other half and all the horrible things happening to the protagonist that you don't really care that much about.

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  • [–] 3 points 6 months ago (2 children)

    They could've developed the different jedi codexes, but they just let them burn!

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  • [–] 3 points 6 months ago (1 child)

    There's so much canon and a million threads they could have picked up and pulled.

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  • [–] 3 points 6 months ago

    They could have taken a list of Star Wars media (books, video games, etc), sorted by highest rated of all time, and compiled a list of ideas that would have printed a legendary amount of money.

    How they approached it was so foolish.

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  • [–] 11 points 6 months ago (1 child)
  • [–] 10 points 6 months ago (6 children)

    I haven't seen any of the sequels, but why do they keep letting JJ Abrams write/direct movies? He ruined Star Trek too.

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  • [–] 5 points 6 months ago (2 children)

    I've liked a lot of Abrams' work, but yes, he really shat on Star Wars/Trek. I find he has great ideas, and great starts for those ideas, but he just gets bogged down with all the history and storylines, ending up with an absolute slog, with lots of explosions and lens flares to distract from that. So, given all that, I'm not surprised with his disappointing results with both multi-episode stories told over decades.

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  • [–] 2 points 6 months ago* (1 child)

    I'm asking this trying not to sound like a dick, but sincerely - what Abram's work do you like? His entire filmography looks so weak these days, and it's even worse if we just evaluate him as a director.

    I liked Super 8, but that's all that stands out to me. Even that maybe felt more "Spielberg at home", but it was entertaining.

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  • [–] 3 points 6 months ago

    I enjoyed the Alias and Fringe series, especially the overall concept. They both staggered hard for the last season or so. I didn't realize Regarding Henry was a film of his, which I thought was excellent. I didn't mind Felicity, but I think Alias was a better spin on the core concept.

    Yes, as a director, im not overly impressed, but like I said, I liked his ideas, and the initial setup, but the wrap-up sucked. The last has a much bigger impact on movies, and wrapping up established world will only highlight his weaknesses.

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  • [–] 2 points 6 months ago (1 child)

    I was a big fan of 2009's Star Trek. Saw it a bunch in theaters. I've rewatched it a time or two recently (wife digs it) and, aside from the cast, I really don't like it. It doesn't feel like Star Trek (and I'm someone who will find things to defend about Discovery and loved Starfleet Academy while DS9 remains my all-time favorite series). But boyhowdy is Chris Pine great as Kirk. Zachary Quinto is also phenomenal as Spock. I could actually go either way with the castings of Uhura, Scotty, and Sulu. But Karl Urban as McCoy must be defended at all costs.

    Abrams, when it comes to Star Trek and Star Wars feels like he's making what popular culture thinks of those franchises and not what the franchises themselves are all about, if that makes sense. It's almost a parody.

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