As Tim Gunn says, always use your 'editing eye.' Critical to all good design. --I avoided the fan edits, but was eager to see Lynch's extended cut. You were right on target with the addition to the whole. But I enjoyed all of it. The Slow Club experience was mostly left out of the theatrical cut. But was so Lynch. Opening with the dog eating from his bowl, to the chicken and egg performance... cinematic treasure. Thanks again for the heads up. 
Stolen from artist Igor Kalashnikov
Good to know. Off to find Lynch's Official Extended Cut for viewing later.
Edit: Internet Archive has it. https://archive.org/details/david-lynchs-blue-velvet-extended-cut-720p
The probability that the ad men or women, involved in the decision making for this image, considered the sexuality of the image is 99%. Was it the focus? No. It is a shot of a woman in the waves looking at how impressive her beach broach is .
If you've seen the movie, its hard to believe this could have been an official movie poster.
is his invisible penis really that large? impressive.
Don't worry! Its STILL okay to reverse engineer the work of photographers artists writers actors voice over musicians modelers animators academics etc etc (feel free to add. the exploitation is literally everywhere!)
Similar to recent Oregon story where school children had their pretzels coated with oven cleaner instead of salt.
good stuff.
Popcorn Soya sounds more appetizing without needing chunks.
When I asked if it (a humanoid barista) was concerned by job losses caused by robots, it said: βYouβre a very deep thinker.β The casual dismissal of resistance. Wonder if it sent a data point to his social profile analytics?
One would have to assume all material from this 'contributor' was ai gen.
3" inseam ftw
In the world of propagating invasive stupidity, its top ranked.
I'd wager like with any paint, even with a perfect application, it would scuff and peel easily. Thus becoming unattractive while ruining your previously more attractive shoes?
Also saw the schlong. It's his gloved hand holding a walking cane. No doubt intentional by the artist considering context.
