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[–] 24 points 11 months ago (4 children)

I’m hoping that the success of the original movies this year will lead to more.

Also, crazy how people have already forgotten about Sinners. That’s how great this year has been.

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  • [–] 1 point 11 months ago (2 children)

    Also, crazy how people have already forgotten about Sinners. That’s how great this year has been.

    People live so fast nowadays, nobody talks about DBZ Sparking Zero or Silksong anymore for example (Metroid Prime 4 next).

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  • [–] 16 points 11 months ago (3 children)

    Ummm, isn't Bugonia a remake of a Korean movie? Definitely not original.

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  • [–] 9 points 11 months ago* (last edited 11 months ago) (3 children)
  • [–] 9 points 11 months ago (2 children)

    One Battle After Another was great

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    [–] 9 points 11 months ago* (4 children)

    Hollywood greenlights some original stuff but, judging by box office returns, the audiences don't go to see them.

    I think Zootopia 2 will have beaten all the films he listed, plus Sinners and maybe One Battle After Another combined in it's first week or so.

    So, assuming you're a producer, would you put your money into a safe bet like Jurrassic Park 12 or some indie project that hopefully makes its money back and maybe goes on a bit of a run?

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  • [–] 6 points 11 months ago* (last edited 11 months ago) (1 child)

    I think Zootopia 2 will have beaten all the films he listed, plus Sinners and maybe One Battle After Another combined in it’s first week or so.

    I just checked, and you only need to combine Sinners and Weapons to beat Zootopia 2's first week ($620M), for a lower combined budget.

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  • [–] 3 points 11 months ago

    Oof, you're totally right, I was looking domestic for Weapons.

    But, I mean, I think the point still stands. That's one weekend of one sequel which itself is unlikely to be the highest grossing movie of the year.

    People don't really watch the original and interesting stuff.

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  • [–] 3 points 11 months ago (1 child)

    I see tons of movies they have no idea I've seen. That's the natural result of making going to the theater a shitty experience. I'll still watch what I want to, you just won't get any benefit from it.

    I would like it if there was a way to pay a studio / director / production company directly for their work on a film. The old ways of monetizing films don't really mesh with the way I engage with them.

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  • [–] 1 point 11 months ago

    Spaceballs 2; super original guys.

    Another Naked Gun; ooh! original!

    The Matrix 5; we're original, i swear!

    "New" Malcolm in the Middle; originality overload!

    "New" King of the Hill; such original.

    48th Aliens reboot; I'm dying from all this originality!

    94th Predator movie; buy one original, get one free!

    That's just what i can think of off the top of my head right now. I think he might have noticed a trend, or something...

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  • [–] 1 point 11 months ago

    I gave up on Hollywood years ago. Even the original movies are mostly meh and you have to watch a lot of them to find anything interesting. And the good ones are rarely marketed to you really have to look for them.

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  • [–] 1 point 11 months ago (1 child)

    What's so funny about this is 1. Bugonia is a remake of a Korean film, 2. the director of Weapons was immediately hired to make yet another Resident Evil movie, and 3. Marty Supreme was based on the life of a real person. He's 0/3 on his examples.

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  • [–] 4 points 11 months ago

    I'd call that 2/3. Bugonia is a remake of the Korean "Save the Green Planet", so he's wrong about that being original. "Weapons" is indeed an original film; the director being hired top make yet another Resident Evil film doesn't detract from that. "Marty Supreme" may be a biopic, but it's still an original film, rather than a remake of an earlier film. That does mean that it's an original project.

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