I main on fingerstyle guitar, but I find my aural understanding on guitar feels impeded. Now I know music theory and how the fretboard works, but translating it is so damn laborious.

I've played other instruments, and this is what I've noticed about their impact:

  1. Penny whistle. It's mostly in one key. The root will always be the same fingering and the fifth will always be the same fingering. I think this helps with making associations with sound and scale degree, as opposed to more chromatic instruments played in different keys. [Also used a transposing electronic digital instrument to the same effect.]

  2. Clarinet: Having to figure out the fingerings made me painfully aware of key signatures and where the sharps and flats are. On guitar you can smoothly shift up or down a fret without much thought or just play in position, but on clarinet there is often a specific button or button combo you need to get one specific note.

  3. This is the big one: Piano. You do need to bring a little theory into it to know what chords you're playing, but the actual NOTES you are playing are immediately obvious, and since I'm building all these chords myself, I know exactly where the third is and how to lower it to make a major a minor, or where to add a major seventh, so I can also very quickly ask myself, "What if went with a minor chord here instead" and almost instantly be able to play it. On guitar, there's a tendency to just memorize chords as shapes without knowing where the chord tones are because each shape has them in a different configuration (which is why eyes-closed arpeggio exercises are absolutely vital for guitarists).

[On piano it's also easier to play the same inversions over and over again, which might help you learn the sound. You can play a whole song with Root-3rd-Fifth if you want, but on guitar, the common chord shapes are a kaleidoscope of chord tones. For instance, common chord tones on root chords:

C: O-R-3-5-R-3
F: R-5-R-3-5-R
G: R-3-5-R-3-R
]

I'm curious about violin, too, because I'm betting needing to intonation just right really sharpens your ear.

What's your experience?

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[–] [S] 2 points 1 day ago* (last edited 1 day ago) (2 children)

That's an amazing skill. I'm afraid I might have the aural equivalent of aphantasia... that is I have trouble hearing as well as seeing things in my head. I can sing a melody, but that doesn't mean I hear the rest of the band behind it, and I can't really be sure I'm hearing it myself until I sing it. Ditto for hearing just the melody instead of the lyrics. I can do it aloud, but if I take away the words in my head, the melody disappears.

There's a dude on YouTube who sells exercises promising to unlock this talent of inner hearing, but I really think it's something my brain doesn't do. Not that I can't develop music skills, but I'm going to be working in a much narrower lane than a composer.

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  • [–] 3 points 1 day ago (1 child)

    Yeah it’s something I didn’t really realize and appreciate enough until I learned not all musicians could do that by default. I just assumed that if you play, you can do it too. Thanks, I didn’t know it had a name (inner hearing).

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  • [–] [S] 1 point 20 hours ago

    I heard an NPR show once about a guy that heard a song for about two weeks in 1986. He remembered the song well enough and one day he got curious what it was, so he started singing it to people and nobody had heard it. He knew he wasn't making it up, so he hired a band, and sang them all the parts he remembered. Once he had it cut, he tracked down the person who was the radio station manager of the station he listened to at the time, played it for him, and the manager accurately ID'd a song as one of those songs that get a little airplay, don't catch on, and immediately get memoryholed.

    This was just an average schmoe, not a musician.

    That's when I knew I had a deficit, beacause I could not perform all the parts to songs I've heard a million times, even if one of those million times was five minutes ago.

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