I main on fingerstyle guitar, but I find my aural understanding on guitar feels impeded. Now I know music theory and how the fretboard works, but translating it is so damn laborious.

I've played other instruments, and this is what I've noticed about their impact:

  1. Penny whistle. It's mostly in one key. The root will always be the same fingering and the fifth will always be the same fingering. I think this helps with making associations with sound and scale degree, as opposed to more chromatic instruments played in different keys. [Also used a transposing electronic digital instrument to the same effect.]

  2. Clarinet: Having to figure out the fingerings made me painfully aware of key signatures and where the sharps and flats are. On guitar you can smoothly shift up or down a fret without much thought or just play in position, but on clarinet there is often a specific button or button combo you need to get one specific note.

  3. This is the big one: Piano. You do need to bring a little theory into it to know what chords you're playing, but the actual NOTES you are playing are immediately obvious, and since I'm building all these chords myself, I know exactly where the third is and how to lower it to make a major a minor, or where to add a major seventh, so I can also very quickly ask myself, "What if went with a minor chord here instead" and almost instantly be able to play it. On guitar, there's a tendency to just memorize chords as shapes without knowing where the chord tones are because each shape has them in a different configuration (which is why eyes-closed arpeggio exercises are absolutely vital for guitarists).

[On piano it's also easier to play the same inversions over and over again, which might help you learn the sound. You can play a whole song with Root-3rd-Fifth if you want, but on guitar, the common chord shapes are a kaleidoscope of chord tones. For instance, common chord tones on root chords:

C: O-R-3-5-R-3
F: R-5-R-3-5-R
G: R-3-5-R-3-R
]

I'm curious about violin, too, because I'm betting needing to intonation just right really sharpens your ear.

What's your experience?

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[–] [S] 1 point 1 day ago (2 children)

Absolutely true, but I have to ask what is the utility being a uniquely classical musician if you're not working for an orchestra? It's like trying to get into the NBA but never being able to shoot hoops with friends on the weekends--outlets for classical music are so limited at a time when live performance venues are becoming increasingly rare. I don't think it's a sane bet to put your kids on that track.

Anyway, one of those bluegrass bands I ran across at a jamboree all met at classical music school. The violinsts became a fiddler/banjo player, the classical guitarist became the bassist/percussionist, etc., so if you're trained classically and want to popcorporate another instrument, you definitely can.

The Beatles, for example, were solid players, but nobody was really any kind of virtuoso; people just want a good song, much in the same way that pedestrian prose is forgiven if the story is appealing.

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  • [–] 2 points 1 day ago (1 child)

    As a professional classical musician... You're painfully right. It's a struggle to find work, increasingly. And the few professional ensembles that hold auditions get so many applicants that the enormous competition basically results in a succession of rejections eating away at your confidence year after year, even though I am by most definitions a "virtuoso".

    I actually tried to get a secondary subject for another instrument back at the conservatoire, but my main subject teacher nixed my application for it. Saying I had to concentrate all my attention to the instrument they were teaching me. The same teacher, by the way, also discouraged me from doing too much work next to the conservatoire study. Same reason. While having a network is basically the only way left to get work in this field anymore and your student years are the main period to do so.

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  • [–] [S] 1 point 20 hours ago

    What's your instrument? Are you ever tempted to branch out into more popular forms of music, either with your instrument or a related instrument or a completely different one?

    I kind of have a big problem with formal music education because it seems to discourage engaging with the music. It breaks my heart that so many people start with an interest in music and just have it beaten out of them by band directors that just want students to play the notes in front of them. I mean, that's understandable thing to want if you're a band director, but I feel like musical development takes time and the things that make people fall in love with music a lifelong hobby aren't taught; rushing into performance is counter productive.

    On the plus side, though at the end of every Spring, I can pick up some quality instruments for pretty cheap on FB marketplace.

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