The car is a tool to move yourself and your family/friends from place A to place B. But James Bond, Batman, rap videos made a status symbol of it. They created a modern mythology around it.
The transformation of the automobile from a means of transport into a luminous totem of status is a near-perfect case study of what Pierre Bourdieu theorised as the conversion and misrecognition of capital.
Bourdieu argued that capital presents itself in three fundamental guises: economic capital (money, assets), cultural capital (knowledge, taste, credentials), and social capital (networks, group membership). These are not static silos; they are constantly converted into one another to legitimise and reproduce social hierarchies. The car, in its purest state, is merely objectified economic capital, a purchased good with a clear use-value: to move from A to B. But the moment it enters the cultural field, it is inscribed with meaning, and it becomes a vehicle for symbolic capital, which Bourdieu defined as the form the other capitals take when they are perceived and recognised as legitimate.