I can't speak to US social media trends as I live in Europe. There is a certain overlap for sure, but I can't say I follow the online water cooler talk about current shows outside of this server. My critique was based only on watching the show.

You could have a point about changing audiences, and certainly about broadcasters lagging behind such changes. If the powers that be chase their own tail rather than connecting with the actual viewership, surely their shows suffer.

It surprises me a bit that Legacy of monsters reached beyond its target audience, though. It just doesn't feel very engaging to me. But I may be closer to the intended viewer rather than the people actually watching? Which again just emphasises the discrepancy between intent, expectation, and reality in terms of this show and its audience.

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  • [–] 2 points 6 days ago (2 children)

    Honestly, branching the cold war narrative out is probably the more obvious way to streamline the show. It can't be easy to juggle two plot lines, past and present, and have them reflect upon each other without becoming contrived and gimmicky.

    But the late '50s part of the show feels more vital than the rest of the show, maybe for its heightened Indiana Jones feel. The bigger challenge IMO is to make the contemporary human characters seem relevant. Especially the twenty-something cast is given mostly filler to work with, against a backdrop of pretty dire kaiju fare.

    Although I think that the best Godzilla movies have focused on human drama, I can genuinely understand if viewers of corresponding ages don't identify with Cate, Kentaro, and Corah. They're the biggest albatross around the show's neck, even given the Rodan appearances.

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  • [–] 4 points 1 week ago* (last edited 1 week ago)

    I opted for "The Tholian web", and it opens on Chekov. Maybe he's not super prominent in it otherwise, but it's a peak TOS episode.

    Edit: Watching it now, he has some good away team scenes, and that great freakout on the bridge when Kirk's fate is uncertain. Definitely a Koenig showcase!

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    More excerpts from RTD's memoir revealed:

    “It’s such a shame we never got to make Series Three, though. Three scripts were fully written for it, and it breaks my heart they won’t be seen.”

    “We had a brilliant story set during the Great Fire of London, written by the powerhouse team of Laurence Clark and Jack Thorne, and we should have had the budget to do it properly, with the flames and panic and everything.”

    “And we had a brutal horror story, written by the brilliant Lydia Adetunji, set on a NASA-type space station, all about trypophobia – look it up, it’ll make you shiver!”

    “There was a really lovely episode set on a council estate in the middle of Manchester. That would have been the ultimate place to bring the Doctor; I would have just loved to see that. It was written by Sharma Angel-Walfall, who’s lived that life. It was like Doctor Who meets the film Rocks.”

    “I was talking to a lot of other writers as well, and I wanted to bring Juno Dawson back for another story after her amazing Eurovision episode.”

    “I was also talking to the writers Kate Herron and Briony Redman about bringing Jonathan Groff back as Rogue, which would have been glorious. That sequel was forever getting postponed. It didn’t appear in Series Two, but I would have tried for it in Series Three. We were talking about Rogue in an eighties story, maybe set in Blackpool with video arcades at its centre.”

    “So we had a lot of fabulous ideas, some fully fleshed out, with a Dalek four-part epic to end the series. We were ready to go.”

     

    Bryan Fuller posted this on Instagram as a birthday greeting to Laurence Fishburne, back on July 30.

    So apparently Fuller had intended to carry over the Hannibal cast into Discovery in various parts — and this was how he'd imagined Fishburne in Klingon prosthetics. It also suggests that the much maligned Disco Klingon designs were decided upon after Fuller left as (preliminary) show runner.

    ETA: Here is a rundown of the casting plans he had in mind, originally revealed on the D-con chamber podcast. I would have watched Gillian Anderson as a starship captain.

    a preproduction mockup of Laurence Fishburne as a Klingon.
     

    We've published an invitation to tender for the production of Doctor Who. The contract is for a multi-episodic series (including specials) for transmission in 2028/29, with an option to extend the contract at BBC’s discretion to produce a second series. It's offered on a work for hire basis with the BBC continuing to broadcast the programme and retaining all rights.

    The production will need to qualify as a regional production under two of the three Ofcom Regional criteria and the successful bidder will be expected to establish a production base in the agreed region. The BBC has a preference for a Wales qualification.

    The deadline for initial submissions is 2pm on 2 October 2026.

     

    This was the rundown of the show's development in January:

    The original logline released at Comic-Con 2024 said the show is about “Federation outsiders serving a gleaming resort planet find out their day-to-day exploits are being broadcast to the entire quadrant.” Newsome has previously clarified that the resort isn’t Risa, noting “I think it’s going to answer some questions about what non-Federation [worlds] look like.” Last year, Newsome told TrekMovie the concept had evolved since then but confirmed she would star in the show (as a new character), and the comedy series would be set in the early 25th century, following the events of Star Trek: Picard.

    I dunno, Newsome has been one of the breakout talents of the latest Trek generation. She was solid on LDS, and her contributions to SFA were standouts in season 1 I think.

    I would've loved to see what she had to offer as writer/lead on a live action comedy. She wasn't exactly confident the show would be picked up when the article was written, though:

    “The conversations that I have had is, ‘Hey, we finished writing it,’ and everyone said, ‘Yep, we love it.’ And then we turned it in, and then it was Christmas…. The business is in an interesting place right now… Who knows?”

    Seeing how there is no Trek in current production and Secret Hideout seems to be out, things are even more up in the air by all accounts 😕

     

    Chris Chibnall:

    “I think the biggest thing you can say about all of that is it’s very easy to miss the point ‒ that this is primarily about money.”

    “It’s not really about all of the things that everybody is banging on about and moaning about or what or getting emotional about.”

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