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videogames@piefed.social

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A general gaming community for Piefed.

More games, less memes, no outrage culture.

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Stay civil.
Debate ideas, not people. No personal attacks, no flame wars. More info here.
This is not a gamer identity space.
We don’t self-identify as “gamers.” Games are art, not a lifestyle brand. If your whole identity is about consumption, you’ll probably feel out of place here.
Talk about games as art.
Discussion should focus on design, ideas, and creative choices. What does this game say? What are the consequences of its mechanics? What does its aesthetic communicate?
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This space is for discussion of games as creative works, not for tech support, low-effort memes, or console wars.
Evolving rules.
These rules may change as the community grows and we refine what works.

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atomicpoet@piefed.social

Metroid (1986) on NES—the cartridge in all its gray-plastic glory (atomicpoet.org)

submitted 1 year ago by atomicpoet@atomicpoet.org to c/videogames@piefed.social

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Metroid (1986) on NES—the cartridge in all its gray-plastic glory.

This is my favorite Nintendo franchise, the very reason “Metroidvania” is even a word. Not a Miyamoto joint but a Yokoi production, and you can feel it—tougher, sharper, with real bite. Few games of that era had this much atmosphere, this much mystery, or were simply this fun.

Honestly, it’s probably the biggest reason I still keep an NES hooked up.

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[–] chonglibloodsport@lemmy.world 1 point 1 year ago

SQ has a bunch of tool stuff going on. The crystals which unlock certain areas (functioning as keys), the relics of Dracula which let you see things you couldn’t otherwise or break certain blocks, the holy water which can be used as both a weapon and as a tool for detecting false floors, and oak stakes which you need to pierce the protective spells around Dracula’s relics.

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