I do sound professionally and I originally learned to track on 2" magnetic tape. Our one digital console had something like 24 channels (which was cutting edge at the time) and every channel required a $40k card slotted into this proprietary rack costing god know how much. Now, any cheap laptop can be an audio rig that has basically unlimited channels and enough DSP to basically do anything they want. Nothing like slicing tape with a razor hoping your edit was right. Also, navigating a patch bay that looks like spilled spaghetti to pop a single channel of compression on a track.
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