I main on fingerstyle guitar, but I find my aural understanding on guitar feels impeded. Now I know music theory and how the fretboard works, but translating it is so damn laborious.

I've played other instruments, and this is what I've noticed about their impact:

  1. Penny whistle. It's mostly in one key. The root will always be the same fingering and the fifth will always be the same fingering. I think this helps with making associations with sound and scale degree, as opposed to more chromatic instruments played in different keys. [Also used a transposing electronic digital instrument to the same effect.]

  2. Clarinet: Having to figure out the fingerings made me painfully aware of key signatures and where the sharps and flats are. On guitar you can smoothly shift up or down a fret without much thought or just play in position, but on clarinet there is often a specific button or button combo you need to get one specific note.

  3. This is the big one: Piano. You do need to bring a little theory into it to know what chords you're playing, but the actual NOTES you are playing are immediately obvious, and since I'm building all these chords myself, I know exactly where the third is and how to lower it to make a major a minor, or where to add a major seventh, so I can also very quickly ask myself, "What if went with a minor chord here instead" and almost instantly be able to play it. On guitar, there's a tendency to just memorize chords as shapes without knowing where the chord tones are because each shape has them in a different configuration (which is why eyes-closed arpeggio exercises are absolutely vital for guitarists).

[On piano it's also easier to play the same inversions over and over again, which might help you learn the sound. You can play a whole song with Root-3rd-Fifth if you want, but on guitar, the common chord shapes are a kaleidoscope of chord tones. For instance, common chord tones on root chords:

C: O-R-3-5-R-3
F: R-5-R-3-5-R
G: R-3-5-R-3-R
]

I'm curious about violin, too, because I'm betting needing to intonation just right really sharpens your ear.

What's your experience?

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[–] [S] 1 point 6 hours ago

Were you mostly reading music? I was playing by ear, and two things about that 12th: it's really just a fifth, and the scale pattern at five are basically the same as at one--whole step, whole step, half step... so I think I remember the fingerings working the same. Plus, I've got the right half of the circle of fifths memorized as a guitarist, but the left hand side needs a little work for all the clarinet keys (and I'm not transposing shit, thinking about the notes as their true values).

harmonetta

This is the worst thing you've ever done, friend, introducing me to this marvelous instrument that is simultaneously unavailable! I thought it would scratch my currently-unaffordable accordion itch, but the only thing I found was one for 700 pounds on Reverb, already sold!

But if you're into easily making chords, the Stradella left hand side of the base, arranged in fifths, has major, minor, major 7, and diminished chords all in a row. Super easy. But I think building chords yourself probably teaches you a lot more.

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