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[–] 72 points 1 month ago (13 children)

All of nu-trek seems to have lost the hope of a post-scarcity utopian society.

We have plenty of gritty dystopian stories. Star Trek lost what made it special

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  • Many of the best TNG episodes feature the darkness creeping back in, with Picard acting as the guardian of the light they have worked so hard to create. The big example I have in mind is Drumhead. Picard recognizes fascism for what it is and immediately moves to counter it, delivering one of the best speeches of the franchise.

    This wasn't a show that shied away from dark subject matter; there were multiple murder investigations, an entire two-parter about Picard being tortured at the hands of space nazis, two separate episodes about ordering crew members to their deaths...this show could handle weighty subjects, subjects weightier than "this character is being mean to that character." And it could do it with the fucking lights on.

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  • [–] 52 points 1 month ago (8 children)

    To be fair, the post-scarcity utopia was most present in TNG. TOS was more focused on the cosmic horror encountered in deeps space, and far less idealistic. DS9 really dove into how much that utopia would comprise when faced with an existential threat, while ENT tried to show how a flawed society would strive reach that utopia.

    The difference is that everything after TNG was responding to that utopia, either by affirming it or challenging it, while New Trek just...forgot it was a thing. I remember watching season 1 of Picard, and Raffi is living in trailer in the desert because Admiral Picard ruined her career and thinking, "Wait, why are you poor? You guys don't even use money anymore."

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  • [–] 19 points 1 month ago (1 child)

    I always assumed that she was living in a trailer in the desert to get away from people, and just dug the isolated vibe of it... It didn't seem like it was awful or nuthin. Maybe trailers are nicer in the future lol

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  • [–] 34 points 1 month ago

    Well, she also says something to the extent of, "we don't all have a family vineyard to live on." The implication definitely seemed to be that PIcard was a, "have," and she was a, "have-not," which seemed very antithetical to the universe established in Old Trek.

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  • [–] 8 points 1 month ago (2 children)

    Well DS9 did the whole "section 31 exists this shit is a violation we do not do this" and nu!trek explicitly keeps going to that well as protagonists so yeah, there's a big difference there

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  • [–] 5 points 1 month ago* (1 child)

    All of them still felt more optimistic than nu Trek. And purely stylistically they were filmed in a very different way that felt comforting whereas these new shows want to be as grimdark as possible

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  • [–] 4 points 1 month ago

    Yeah, their was far too much spent on style and too little on substance. Everything is highly cinematic, and they clearly spent tens of millions of dollars per episode, so they feel they have to make, "epic," stories that reflect that scale. The thing is, that's never what made Trek great. Chain of Command said more about war with a cheap set and four spotlights than all of season one of Discovery said on a $100 million budget.

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  • [–] 3 points 1 month ago

    I think it all comes down to capitalists own the star trek franchise and post-scarcity is a scenario that really challenges the core ideas of capitalism, especially when they show this advanced utopia, even if it was a bit frayed at the edges and some had a hard time relating to the idea that the crew of the various Enterprises were pretty much all doing it as a hobby rather than a job (albeit with military-level organization).

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