Project Hail Mary was practical first. Real sets, real puppet, with digital enhancements. There is a scene that was filmed with loads of LEDs on wires to cover the shot in blinking red lights. I think it pays off hugely and the film is better for it all.

At the moment I think it's an outlier and most films will continue to just film green screens and tennis balls but it might herald the return of practical, maybe even full-scale animatronics! I can only hope.