▲ 182 ▼ Film Students Are Having Trouble Sitting Through Movies, Professors Say Discussion (www.hollywoodreporter.com) submitted 9 months ago by TheImpressiveX@piefed.social to c/movies@piefed.social 87 comments fedilink hide all child comments
[–] prole@lemmy.blahaj.zone 13 points 9 months ago (6 children) Yeah, maybe they're in the wrong field permalink fedilink source parent hideshow 6 child comments replies: [–] skribe@piefed.social 9 points 9 months ago (2 children) They just see the glamour and the $$$, and don't know about the ridiculous hours and working conditions (when you're actually working). When I did film school, our first lecture was 9 hours long. We watched a bunch of experimental films. The second lecture was 7 hours long, watching more (but completely different) experimental films. We started with 300 students, and by the third week we were down to half that. Only a handful of us ever worked professionally and I only know two that are still working (I left a few years ago). It's a brutal industry. permalink fedilink source parent hideshow 2 child comments replies: [–] Jentu@lemmy.ml 4 points 9 months ago (1 child) Hello fellow film industry abandoner! I never went to film school, but I did briefly join the editors union in LA prior to the industry imploding shortly after lockdowns in LA. I switched to contract commercial work and, while it's been far more soul-sucking, at least it pays the bills. I no longer live in an industry city, so I've been trying to find my footing in a career that doesn't treat (and pay) a former union editor like a youtube editor (no hate on youtube editors, that work seems extremely tedious and they deserve to be paid more). But maybe I'll just break down and become an electrician if my client work ever slows down. permalink fedilink source parent hideshow 1 child comment replies: [–] skribe@piefed.social 4 points 9 months ago I worked in the industry for 30 years. Longer if you include the acting stuff I did as a kid. I'm too old for all the shit, especially now with AI threatening every part of the industry, but who knows I might be dragged back in. It's happened before, but I'm happy with what I'm doing now. permalink fedilink source parent [–] hzl@piefed.blahaj.zone 1 point 9 months ago* (2 children) Are they? Do modern writers and directors need to care about 60 year old war movies to make their art? permalink fedilink source parent hideshow 2 child comments replies: [–] prole@lemmy.blahaj.zone 4 points 9 months ago (1 child) First of all, yes they should. But second, 60 year old war movies aren't the only kind of film that exists... permalink fedilink source parent hideshow 1 child comment replies: [–] hzl@piefed.blahaj.zone 1 point 9 months ago They're the only kind of film referenced as an example in the article. permalink fedilink source parent
[–] skribe@piefed.social 9 points 9 months ago (2 children) They just see the glamour and the $$$, and don't know about the ridiculous hours and working conditions (when you're actually working). When I did film school, our first lecture was 9 hours long. We watched a bunch of experimental films. The second lecture was 7 hours long, watching more (but completely different) experimental films. We started with 300 students, and by the third week we were down to half that. Only a handful of us ever worked professionally and I only know two that are still working (I left a few years ago). It's a brutal industry. permalink fedilink source parent hideshow 2 child comments replies: [–] Jentu@lemmy.ml 4 points 9 months ago (1 child) Hello fellow film industry abandoner! I never went to film school, but I did briefly join the editors union in LA prior to the industry imploding shortly after lockdowns in LA. I switched to contract commercial work and, while it's been far more soul-sucking, at least it pays the bills. I no longer live in an industry city, so I've been trying to find my footing in a career that doesn't treat (and pay) a former union editor like a youtube editor (no hate on youtube editors, that work seems extremely tedious and they deserve to be paid more). But maybe I'll just break down and become an electrician if my client work ever slows down. permalink fedilink source parent hideshow 1 child comment replies: [–] skribe@piefed.social 4 points 9 months ago I worked in the industry for 30 years. Longer if you include the acting stuff I did as a kid. I'm too old for all the shit, especially now with AI threatening every part of the industry, but who knows I might be dragged back in. It's happened before, but I'm happy with what I'm doing now. permalink fedilink source parent
[–] Jentu@lemmy.ml 4 points 9 months ago (1 child) Hello fellow film industry abandoner! I never went to film school, but I did briefly join the editors union in LA prior to the industry imploding shortly after lockdowns in LA. I switched to contract commercial work and, while it's been far more soul-sucking, at least it pays the bills. I no longer live in an industry city, so I've been trying to find my footing in a career that doesn't treat (and pay) a former union editor like a youtube editor (no hate on youtube editors, that work seems extremely tedious and they deserve to be paid more). But maybe I'll just break down and become an electrician if my client work ever slows down. permalink fedilink source parent hideshow 1 child comment replies: [–] skribe@piefed.social 4 points 9 months ago I worked in the industry for 30 years. Longer if you include the acting stuff I did as a kid. I'm too old for all the shit, especially now with AI threatening every part of the industry, but who knows I might be dragged back in. It's happened before, but I'm happy with what I'm doing now. permalink fedilink source parent
[–] skribe@piefed.social 4 points 9 months ago I worked in the industry for 30 years. Longer if you include the acting stuff I did as a kid. I'm too old for all the shit, especially now with AI threatening every part of the industry, but who knows I might be dragged back in. It's happened before, but I'm happy with what I'm doing now. permalink fedilink source parent
[–] hzl@piefed.blahaj.zone 1 point 9 months ago* (2 children) Are they? Do modern writers and directors need to care about 60 year old war movies to make their art? permalink fedilink source parent hideshow 2 child comments replies: [–] prole@lemmy.blahaj.zone 4 points 9 months ago (1 child) First of all, yes they should. But second, 60 year old war movies aren't the only kind of film that exists... permalink fedilink source parent hideshow 1 child comment replies: [–] hzl@piefed.blahaj.zone 1 point 9 months ago They're the only kind of film referenced as an example in the article. permalink fedilink source parent
[–] prole@lemmy.blahaj.zone 4 points 9 months ago (1 child) First of all, yes they should. But second, 60 year old war movies aren't the only kind of film that exists... permalink fedilink source parent hideshow 1 child comment replies: [–] hzl@piefed.blahaj.zone 1 point 9 months ago They're the only kind of film referenced as an example in the article. permalink fedilink source parent
[–] hzl@piefed.blahaj.zone 1 point 9 months ago They're the only kind of film referenced as an example in the article. permalink fedilink source parent