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A proposed data center in northwestern Alberta could generate dozens of atomic bombs worth of heat every day.

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This article/paper is a FASCINATING look at how people grow and share expertise in Craft Workflows at a granular/"grammatical" level. I didn't know where to share it and interesting shares seems like the best place to given how wildly applicable and interesting this is.

“[Craftsmanship] means simply workmanship using any kind of technique or apparatus, in which the quality of the result is not predetermined, but depends on the judgment, dexterity and care which the maker exercises as he works. The essential idea is that the quality of the result is continually at risk during the process of making; and so I shall call this kind of workmanship ‘The workmanship of risk.’” — David Pye [79]

Craft, as defined by David Pye in the passage above, relies on evolving archives of skill and knowledge, continually shaped by material engagements and emerging tools [49]. As contributors to this growing and collaborative archive, craftspeople experiment with and share their designs, materials, and techniques with others [99]. This exchange is essential to craft’s dynamism: its perpetual practices of adjustment, improvisation, and reinvention establish craft as a living and continually evolving field of practice [5, 19, 20]. Through these practices, expert craftspeople develop not only procedural fluency, but also a supple and nuanced understanding of their craft — situated knowledge that is difficult to articulate yet central to their practice [78]. In many fields and settings, this learning is achieved through extended and embodied co-presence, often through formal and informal apprentice relations organized into wider communities of practice [19, 63]. After long periods of practice [29], expert craftspeople develop a deep understanding of the structure or rules of their craft — the techniques, processes, and procedures by which high-quality objects are produced. But they also understand the conditions under which rules are to be amended or broken and the interpretive freedom needed to navigate unique conditions, materials, and contexts.

A challenge however arises when craft knowledge is shared across distances (remotely) and time (asynchronously). In the absence of face-to-face interactions, craftspeople often rely on static documentation, such as written instructions, video tutorials, and design files, to share knowledge. While these formats convey mechanical procedures that may be useful for novices learning fundamentals, they fail to transmit the tacit knowledge, improvisational actions, and situated adaptations needed for other knowledgeable but non-master craftspeople to navigate similar contexts [96]. These deviations are not random; Goodwin [36] shows how situated actions stem from professional vision, where experts draw on experiential knowledge to interpret and respond to dynamic contexts. With this ability to discern patterns and contextual cues, experts adapt their responses fluidly in shared but distinctive ways through improvisation [11]. Capturing improvisations is challenging, as it requires representing implicit decisions and actions as structured and navigable documentation artifacts [32, 97] that support collaboration and the sharing of situated and tacit knowledge [2].

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In this paper, we have explored how expert craftspeople capture and share tacit knowledge, improvisational actions, and situated adaptations within evolving communities of practice. Through interviews with expert craftspeople across diverse domains, we developed an elementary grammar that documents the non-linear, iterative, and improvisational nature of craft workflows. From our evaluation of the grammar with expert crocheters, we learned how experts navigate documentation to preserve a dialogue between craftsperson, material, and community. This dialogue emerges in distinct yet interconnected ways: through Reflective Loops where experts respond to material feedback, Branches where they deviate from established procedures, External Links where they reference other knowledge sources, and Revision Loops where they iterate and repair. In addition, practitioners extend and articulate their practice with Granularity Shifts, Segments, and Note-to-Self. With this framing, we argue for an expanded understanding of documentation tools for craft practices, not as static repositories of perfect instructions, but as dynamic scaffolding for craft knowledge to be extended, revised, and linked across distributed communities of craftspeople.

As with any computational system representing knowledge, grammars remain partial representations; Korzybski [61] reminds us, “the map is not the territory.” Documentation serves to augment (not substitute) the hands-on practice and direct material engagement essential to the learning and evolution of practice in craft communities. Nevertheless, computational tools such as CraftLink can make modest but meaningful contributions to these wider practices. Our evaluation revealed opportunities for future work: exploring interfaces more familiar to specific craft communities, investigating how the grammar might support practitioners with varied expertise levels, and studying how documentation artifacts evolve through revising and remixing over time. While our grammar may not capture the full territory of craft practices, it demonstrates how computational tools and techniques, suitably and sensitively deployed, can better support the distinctive conditions of sharing and learning found in craft communities. By formalizing patterns of improvisation, iteration, and repair, we can help make tacit knowledge visible and shareable, supporting craft communities in building distributed and evolving archives that preserve not just final outcomes but the expertise embedded in their creation.

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This a podcast giving a brief history of the fight against NSLs

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Titled "The Orange Plague," a gold-coated statue presents Donald Trump sitting on a smaller man's back. The Danish artist blamed Trump for getting in the way of efforts to address climate change.

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The casket, grown from mycelium and hemp fibres, takes just 45 days to break down, enriching the soil in the process

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Obscure tape finds and their stories.

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Dale Sanders said he fell 71 times on the trail, but completed the journey as ‘people are motivated … by my efforts’

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'You mustn't be afraid to dream a little bigger, darling'

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A digital museum of video game levels. Fly around and through your favorite game's levels in 3D. Free.

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cross-posted from: https://lemmy.zip/post/69987670

I thought this was in interesting insight into how a company accused of using AI after stating they would not conducts an internal investigation.

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Video. Volunteers cook a 7,200-egg omelette in a four-metre pan over an open fire at the Giant Omelette Festival in Malmedy, Belgium.

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Mitochondria have long been understood as the powerhouse of the cell. Are they also the powerhouse of rejuvenation?

Study: https://www.nature.com/articles/s41467-026-71508-7

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Search teams are still looking for survivors in the collapsed Aeon shopping centre.

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A study found that access to AI advice collapsed people's willingness to say "I don't know" from 44% to 3%, while accuracy dropped from 27% to 9%.

Study: https://osf.io/preprints/psyarxiv/5y6m4_v1

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Content warning: This archive contains graphic footage of war crimes in Gaza and the West Bank — violence, death, and serious injury — collected for documentation and accountability. Viewer discretion is advised.

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Study suggests even light activity such as ironing could reduce health risks linked to prolonged sedentary behaviour

Study: https://journals.plos.org/plosmedicine/article?id=10.1371%2Fjournal.pmed.1004767

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Do we really have no choice beyond this binary: to either fight AI or embrace it? If fighting AI seems self-defeating and embracing it self-destructive, then why are we letting tech companies continue to develop ever more powerful AI programs? And if even the CEOs of these tech companies are worried about the potential threat to humanity, then why should we continue to pursue AI at all? Of course, it could be argued that the fears concerning AI are either the result of misunderstanding or mere hype designed to make AI seem more powerful than it really is. Is AI really a threat to humanity? Or is it just a complex—and scary-seeming—tool that, like any other tool, is designed to make life a little bit easier?

A compelling answer to these questions comes in the work of an intellectual who died long before ChatGPT, or even AI, came into existence. Jacques Ellul (1912–1994) was a French philosopher, sociologist, theologian, and professor who authored more than fifty books covering topics such as politics, propaganda, violence, and Christianity. In a recent book about the life and work of Ellul, Jacob E. Van Vleet and Jacob Marques Rollison argue that Ellul’s writings can be separated into two strands: sociological and theological. Alternatively, these two strands can be labelled as pessimistic and optimistic, for while his sociological texts have led academics to dismiss Ellul as a dystopian fatalist, his largely overlooked theological texts instead center on hope and the need for political engagement. Most importantly for our purposes, Ellul’s work in the 1950s focused on the growing concern about the relationship between technology and society.

According to Ellul, we are living in a technological world not only because tech is everywhere but because we are living in a world of technique. By “technique,” Ellul referred broadly to the way we accomplish tasks. In the opening of his 1954 work The Technological Society, Ellul defined “technique” as “the totality of methods rationally arrived at and having absolute efficiency (for a given stage of development) in every field of human activity.” Painters use different techniques for painting, chefs have techniques for cooking, comedians have techniques for telling jokes, and so on. But an increasing focus on how things are done rather than why they are done, Ellul argued, means that the idea of having different techniques for different goals is giving way. Instead, optimizers simply try to figure out how every task can be accomplished in the most efficient way possible. As Ellul put it, “The technological phenomenon is the preoccupation of the great majority the men of our day to seek out in all things the absolutely most efficient method.”

This concerned Ellul because efficiency is pursued not in accordance with our values, but rather because efficiency has itself become the value by which everything is judged. In other words, we judge whether something is good based on how efficient it is, because good and bad have come to mean nothing other than efficient and inefficient. “Good” workers—for example, Hollywood screenwriters—are now more likely to be judged by how efficiently they produce profit-making work than by the quality—the aesthetic merit in this case—of that work.

Machines, according to Ellul, are the ideal embodiment of technique because they are designed for efficiency: they do nothing but perform the desired activity in the shortest possible time with the least possible effort. According to the ideal of technique, the activity itself—its human meaning and rationale, the tradition behind it—does not matter. What matters is that a machine can seemingly perform any activity in the most efficient way possible. In a society driven by technique, which has thrown over all other values, the most important activity a machine can perform becomes the production of more and better machines. Factories are thus often made up of machines that make little else but parts to make more machines. We come to want machines to do every activity, and we come to see every activity as something a machine could do better—that is, more efficiently—than any human being.

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In 1954, the French Christian philosopher Jacques Ellul published a warning that the world was not ready to hear.

In The Technological Society, he argued that the modern obsession with technique—efficiency, optimization, and the relentless pursuit of the one best way to do anything—was quietly fragmenting the human person from the inside. Human beings are “created with a certain essential unity,” Ellul wrote, "and [are] fragmented by all the forces of the modern world.” His remedy was not a retreat from civilization but a more demanding engagement with it: a refusal to accept the world as it is and an insistence on the world as God meant it to be.

Seventy years later, Pope Leo XIV has issued one of the most significant public theological works in a generation. Magnifica Humanitas: On Safeguarding the Human Person in the Time of Artificial Intelligence comes 135 years after Leo XIV’s namesake Leo XIII issued his magisterial encyclical Rerum Novarum, and it carries that tradition forward with new urgency into the age of artificial intelligence.

Ellul wasn't interested in retreating from the world. He was interested in the thisness of the world, his conviction that things could change for the better. He was interested in making sure we understand that your neighbor is not a resource to be optimized or a problem to be solved, but a human being to serve alongside.

Pope Leo XIV is issuing that same refusal, in what may well be seen as a paramount theological reflection for the next century, addressed to a world whose tools have grown almost incomprehensibly powerful.

“The primary choice,” he writes, “is not between a ‘yes’ or ‘no’ to technology, but rather between constructing Babel or rebuilding Jerusalem.”

The titans building towers will keep building. That is what Babel does. But for those of us who believe that the rejected stone is the cornerstone—that the child going hungry in Mississippi matters infinitely, that each of us has been given a calling and a section of wall—there is another project. Older, humbler, and far more durable.

Pick up your tools. Your section of wall is waiting.

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